Showing posts with label Dahl (artist). Show all posts
Showing posts with label Dahl (artist). Show all posts

Friday, 1 August 2014

"A weary traveller": The Death of Queen Anne

Queen Anne (London, England, 6th February 1665, London, England, 1st August 1714)


Anne, Queen of Great Britain by Michael Dahl, 1705
Anne, Queen of Great Britain by Michael Dahl, 1705
It is a far from celebratory day in the salon as we mark the anniversary of the death of Queen Anne and the dawn of the Georgian era. The cousin of the man who would become George I, Queen Anne was only 49 when she died, ending a twelve year reign. She had endured the death of a husband and lost seventeen children through death, stillbirth and miscarriage, her health irreparably damaged as the years went on.

By the summer of 1714, Queen Anne was not in good health. She had spent much of the previous year in her bed afflicted by fevers so severe that the court and country began to whisper that death would soon be up on her. Against the odds she recovered only to be struck down again over Christmas, battling against her own frailty to maintain a political foothold with her ministers and particularly the willful and undermining Robert Harley, Lord Treasurer.

Determined not to be bettered by Harley, who treated the Queen with disrespect and ignorance, she dismissed him from his position in the last week of July 1714 and, already dangerously ill, insisted on attending late-night meetings of the cabinet which were intended to replace Harley and avoid a political upset. A third meeting was set for 30th July but Anne was destined not to attend, having been hit that very day by a stroke so severe that she was no longer able to speak.

She lingered on for a day and passed away at half past seven on 1st August, leaving her doctors to remark that death was nothing to Anne but a release from suffering. Buried alongside the husband and children who had predeceased her in Westminster Abbey on my birthday, 24th August, Queen Anne passed into history and the Georgian era dawned.

Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

Pen and Sword
Amazon UK
Amazon US
Book Depository (free worldwide shipping)

Wednesday, 21 August 2013

Istanbul, Scandal and Smallpox: Lady Mary Wortley Montagu

Lady Mary Wortley Montagu (London, England, 15th May 1689 – London, England, 21st August 1762) 


Portrait of Lady Mary Wortley Montagu by Charles Jervas
 Lady Mary Wortley Montagu by Charles Jervas

Don't put away your fard or your fan just yet, because we're headed back to sunnier climes than these to hear the story of a life of excitement, scandal and letter-writing! We were in India yesterday and today we're travelling again, this time for a stop in Turkey in the company of a woman of letters, Lady Mary Wortley Montagu.


Born Lady Mary Pierrepont and christened just along from my tottering abode at St. Paul's Church in Covent Garden, Lady Mary's mother died when the little girl was just three years old, and the child took up residence with her paternal grandmother. Six years after her arrival the girl's guardian died and Mary and her three siblings were returned to the custody of their father, Evelyn Pierrepont, 5th Earl of Kingston-upon-Hull and future Marquess of Doncaster. Delighted with the little girl's beauty and intelligence, Pierrepont took her as his guests when he attended the legendary Kit-Cat Club. Here she became a regular fixture, dazzling the illustrious patrons with her wit and charm. 


Although Pierrepont was determined to encourage his daughter's social education, Lady Mary was more interested in furthering her academic horizons and spent long hours in the extensive library of her Thoresby Hall home. As intelligent as she was engaging, by her adolescence Lady Mary had produced dozens of poems and even a novel. She corresponded with a number of friends and thinkers including Anne Wortley Montagu, granddaughter of the Earl of Sandwich, and sister to her future husband.



Portrait of Edward Wortley Montagu by John Vanderbank, 1730
Portrait of Edward Wortley Montagu by John Vanderbank, 1730

As she entered adulthood, Lady Mary was considered a very eligible young lady and her father had earmarked the wonderfully-monickered Viscount Massereene, Clotworthy Skeffington as the perfect match, rejecting the alternative, Edward Wortley Montagu, as unsuitable. Determined not to marry Skeffington, Mary eloped with his rival and they were married on August 23, 1712. Less than a year later their first child was born Wortley embarked on a high successful political career, rising from Whig Member of Parliament to Lord Commissioner of the Treasury in a very short space of time. With this new role, Mary found herself plucked from her secluded married life and dropped into the centre of George I's court, where she swiftly became a favourite, charming all who knew her. She was very close to Baron Hervey and attracted the admiration of Alexander Pope, who wrote her adoring letters and would continue to do so for years to come.


Entertained by her new lifestyle, Lady Mary wrote vignettes and poetry for her own amusement and produced a series of highly satirical Court Eclogues, written in the voice of a series of amusing characters; these satires were to prove her social undoing. Whilst Lady Mary was gravely ill with smallpox in 1715, one of her fellow courtiers handed out copies of a poem that appeared to be highly offensive towards the Princess of Wales. By the time of her recovery, Lady Mary was utterly ostracised from court and when her husband gained the office of Ambassador at Constantinople, she was happy to accompany him to escape the forced unhappiness of her life in England. Although her time in Turkey was to last only three years, Lady Mary thrived in her new surroundings. 


She immersed herself in this new world and wrote prolific letters detailing every aspect of her life in Istanbul, describing the people she met, their cultures and traditions. Watching the Ottoman women she discoursed on how free they seemed compared to the restrictions placed on their western counterparts, lamenting on the limitations of dress, ambition and behaviour that so confined her gender. Her writings were published as Letters from Turkey, a hugely influential collection that remain an invaluable record of Turkish art, as well as an inspiration to cultural writers. 



Photograph of the Obelisk at Wentworth Castle
The Obelisk at Wentworth Castle

In addition she wrote poetry and letters decrying the experience of women, as well as perceptive articles regarding the treatment of her sister, who suffered from bouts of insanity and whose guardian Lady Mary was later appointed. However, Lady Mary did not seek publication for any of her writings other than her Turkish letters, preferring to keep her creative work to a small circle of friends. Despite this, in 1747 William Wentworth, 2nd Earl of Strafford, erected an obelisk at Wentworth Castle to celebrate Lady Mary's intellectual achievements.


After her own battle with smallpox, Lady Mary was fascinated to learn of the Ottoman Empire's successful experiments with inoculation and brought this knowledge back with her when she returned to England. Despite cynicism towards the procedure, she had her own child inoculated and George I allowed members of his own family to undergo the inoculations under the care of Charles Maitland, Lady Mary's doctor.



Portrait of Alexander Pope by Michael Dahl, 1727
Alexander Pope by Michael Dahl, 1727

The friendship between Pope and Lady Mary dissolved spectacularly when she returned to London and though she always claimed to be utterly ignorant of the reasons for their estrangement, we Gin Lane gossips heard a tale or two. Lady Mary wrote a very arch parody of one of Pope's works that set his teeth on edge and, of course, there was the friendship with Hervey, whom we have already heard that Pope loathed and an even closer relationship with Philip, Duke of Wharton. There was also the suggestion that Pope told the lady he adored her and she laughed in his face, breaking his heart. Whatever the reason, the writer's love turned to loathing and he turned his most poison pen on the woman he had adored, writing vicious and thinly-veiled attacks on her person.

Bored by life in England and looking for something to occupy herself, Lady Mary entered into a romantic correspondence with a French admirer known as Rémond. For one so intelligent Lady Mary proved herself romantically naive and invested and lost a large amount of money in South Sea stock at his request. When he attempted to blackmail her using their love letters, Lady Mary finally revealed her actions to her husband and, in 1739, travelled to the continent alone. Although she and Wortley remained on friendly terms, they were eventually divorced. She enjoyed other love affairs in the years that followed but as her health began to fail, her life entered a period of decline.



Portrait of Lady Montagu in Turkish Dress by Jean-Étienne Liotard, 1756
Lady Montagu in Turkish Dress by Jean-Étienne Liotard, 1756

By the age of sixty the celebrated beauty was in dire straits. Disfigured by smallpox and plagued with ill health, she lived in virtual poverty on the continent and only returned to England at the repeated pleas of her daughter. Their reunion was to be short lived and she died that same year.


Lady Mary remains a literary force to be reckoned with thanks to her perceptive letters from Turkey; although her days ended sadly, these letters and writings reveal a life well lived and a woman of wit, intelligence and conscience who pushed the boundaries of her time.


Friday, 9 August 2013

The Financial Misfortunes of James Brydges, Duke of Chandos

James Brydges, 1st Duke of Chandos, PC DL FRS (Hereford, England, 6th January 1673 – England, 9th August 1744) 


Portrait of James Brydges, Duke of Chandos by Michael Dahl, 1719
James Brydges, Duke of Chandos by Michael Dahl, 1719

We're back in England today to meet a gentleman who went from the heights of wealth to the doldrums of debt and provided sport for Alexander Pope along the way!

James Brydges was the oldest child of fourteen children born to Sir James Brydges, 8th Baron Chandos and Elizabeth Barnard. In addition to the title of Baron Chandos, taken after his father's death, he was also 1st Viscount Wilton, 1st Earl of Carnarvon, 1st Duke of Chandos and 1st Marquess of Carnarvon. He served as Member of Parliament for Hereford for almost twenty years, making and losing a fortune in the process.

Like many of his peers, the Duke enjoyed a privileged upbringing. He was schooled at Westminster and Oxford University before beginning a highly lucrative political career as Paymaster-General of the Forces Abroad during the War of the Spanish Succession. Enjoying the patronage of the Duke of Marlborough, Brydges became a Duke in 1717 and lived a high profile life of luxury and influence.


The Chandos Family by Godfrey Kneller, 1713
The Chandos Family by Godfrey Kneller, 1713 (The Duke, Henry, Cassandra Willoughby, his second wife, and John)




We Georgians know that there is no sense in having money if you don't let everybody know about it and Brydges understood that better than most. As part of his first wife's dowry he took up hime at Canons, a country estate in Middlesex, and began work on a house in Cavendish Square that was never completed. Although the Duke was a man who liked to show off his wealth he wasn't entirely without a social conscience and was involved in the creation of the Foundling Hospital, serving as a governor to the charity. He was also a champion of education and founded the Chandos Chair of Medicine and Anatomy at the University of St Andrews, which still exists today.

When he wasn't occupied with universities, charity and grand building schemes, the Duke was a lover of the arts and employed Handel as a live-in composer in Middlesex. Handel composed the Chandos Anthems in recognition of the Duke's generosity and the two were devoted friends until the our hero's finances became a little stretched, at which point Handel departed Canons for pastures new. Like the subject of our post earlier this week, the Duke was considerably less popular with Alexander Pope, who took an affectionate swipe at Canons in Epistle to the Earl of Burlington. However, once word began to spread that Brydges was the subject of his satire, Pope was quick to claim that no malice or mockery had been intended. 


James Brydges, Duke of Chandos by Herman van der Mijn, 1725
James Brydges, Duke of Chandos by Herman van der Mijn, 1725

Despite his early financial success, the Duke of Chandos was not always so canny when it came to financial speculation. He made poor investments and lost a fortune when the  South Sea Bubble burst, though a judicious marriage kept him afloat, if in somewhat reduced circumstances. In fact, the true extent his monetary straits only became known after his death when his son, Henry, became 2nd Duke of Chandos and found himself deeply mired in his father's debt. So dire was the situation that the new Duke was left with no choice but to sell off the contents, fittings and architectural elements of Canons before having the remains of the house demolished in 1747.


Photograph of the Monument at Whitchurch
Monument at Whitchurch
(photograph from www.findagrave.com)

The Duke was predeceased by two of his three wives and one of his two children. He was laid to rest in Whitchurch and his monument is as lavish as you might expect from a man who knew how to show off his wealth, even when he had none!