Showing posts with label France. Show all posts
Showing posts with label France. Show all posts

Friday, 29 May 2020

Marie Antoinette: Dauphins and Dentistry

Marie Antoinette
I'm delighted to be visiting my esteemed publisher, Pen & Sword, to tell the story of the making of Marie Antoinette, From hairdressers to dauphins to haberdashers, dauphins to dentistry, don't miss this glimpse into the creation of a queen!

Click here

Thursday, 15 December 2016

Lady Anne Barnard

It's a pleasure to welcome Stephen Taylor, author of the fantastic, Defiance, to the salon. This wonderful biography of the estimable Anne Barnard, a most remarkable adventuress, is not to be missed!

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She lived vividly at the heart of Georgian society, wrote a ballad acclaimed by Scott and Wordsworth, was privy to one of the great secrets of the age and left a body of papers that bear comparison with those of Fanny Burney. So why is she better known today in South Africa than in her native land? As the biographer of Lady Anne Barnard, it is a question I puzzled over for years.

I knew when I started my research that the materials were rich. Anne’s years at the Cape of Good Hope from 1798 established her as one of those indomitable women travellers of the early empire, a free spirit who mixed as easily with indigenous Africans as with aristocratic proconsuls sailing to and from India. Her diaries, published in South Africa and pored over by historians, showed too that she was a brilliant writer and artist.

What I did not realise when I asked her descendants for access to her papers was how much broader the sweep of her pen had been. Rather than a starting point, the Cape had been a climax in Anne’s bewilderingly busy and adventurous life; and her chronicle of it – unpublished and virtually unseen – is a trove of fresh information and insights into the Georgian age.

But to go back to the starting point: why is she not better known?

The eldest child of the Fifth Earl of Balcarres, Anne Lindsay grew up in the brilliant milieu of the Scottish Enlightenment, sharpening her wits among the likes of David Hume and Adam Smith. James Boswell used to relate a story from their Scottish tour how this 23-year-old “lady of quality” could hold her own in exchanges with Samuel Johnson.

But hers was an age when the daughters of impecunious lairds were commonly married off to men of fortune, and from the outset Anne stood her ground against such a fate. She rejected at least eleven suitors, insisting that marriage must go with love. “Matrimony, I am not ready for thee!” she wrote. “To say Yes to a proposal that would thwart the heart as long as I existed? To cheat an honest man out of the only fortune he can expect to get with me, a free heart? No, I can’t”. 

Her defiance of convention sat ill with Edinburgh’s pillars of rectitude. When Anne rejected the son of a judge, Lord Kames, he called her “a witch and a she-devil.” Attempting to turn a page, she fled to London.

Brilliance in company quickly established her as a figure in fashionable society. The Prince of Wales became a close friend and Anne introduced him to Maria Fitzherbert, the Catholic widow with whom he became infatuated. As his attentions intensified, Anne and Maria escaped to Europe, travelling together for almost a year before Maria’s resistance melted.

Meanwhile reputation started to catch up with Anne. To the cream of the social whirl, the haut ton, she was always an outsider. The respectable thought her eccentric – what a later era would have termed bohemian – because she lived independently, buying, decorating and renting houses in fashionable locations like Berkeley Square.

There were also scandals. London loved gossip and though Lady Anne Lindsay never gained the notoriety of Frances Villiers or Mary Coke, her love affairs attracted a good deal of attention. An incident involving a dissipated wastrel, Lord Wentworth, led to Anne being dubbed “the Devil in Scarlet” by Lord Byron’s mother-in-law. In the course of another doomed liaison, with the politician William Windham, she travelled to France to observe the Revolution.

These episodes left scars. As became clear when I discovered her papers, it was Anne’s sensitivity about her past that resolved her, in effect, to blot out her story.

The prospect that she would marry appeared to have passed when she received what was her thirteenth proposal at the age of 42. Andrew Barnard, a handsome but unknown former army officer, was 30. She accepted, and began the biggest adventure of her life.

Together they sailed to the Cape where she had obtained him the post of secretary to the governor. The Barnards lived in a simple cottage called Paradise at the foot of Table Mountain where she kept a small menagerie of wildlife. At the same time she acted as the governor’s hostess. 

For this land, which they both came to love, she had a wider vision. When the Barnards set off on a wagon tour of the interior, Pitt’s government saw the Cape as no more than a strategic bastion to protect its vital shipping network to India from the French. Anne did her best to convince influential friends at home that Africa too had potential. “Here is scarcity, but here will be plenty,” she wrote to Pitt’s deputy, Henry Dundas. “It is in the power of activity to make this the finest scene in the world by planting.”

Andrew Barnard died at the Cape. It is clear from their letters that the marriage had been supremely happy and nothing could replace him in her life. Anne lived at Berkeley Square until her death aged 74 in 1825, devoting her final years to the creation of six volumes of memoirs in which she recorded her life with wit and irony, along with a searing honesty. Hence the edict she issued shortly before her death that they were for the eyes of family only and never to be published.

When writing to the Earl of Crawford and Balcarres, custodian of the memoirs, I had no idea of their scope and content. As it transpired, they opened the door to exhilarating and ever more astonishing places. Anne kept me fascinated, and had surprises in store right to the end. So for the reader too, I hope, will Defiance: The Life and Choices of Lady Anne Barnard.




Wednesday, 23 November 2016

Discovering Angelica Kauffman

Meet  LL Diamond and the marvellous art of Angelica Kauffman!

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Thank you so much for having me!

A few years ago, while working towards my art degree, I signed up for a class called Women in Art in Culture to fulfil a requirement towards my art history minor. I wasn’t certain what would be covered, but once the class began, I was fascinated by the strong and perservering women we studied. I still am and when I happen upon a painting by one of the wonderful artists, I tend to take a bit longer to admire the work of a woman who had to be immensely talented and willing to stand up to the social mores of the time to be recognised.

I even like to give a nod to a different artist when I write my novels by naming a modiste after a famous French artist such as Elizabeth Vigee-LeBrun, Madame Labille-Guiard, or Francoise Du Parc. A subtle nod and a small thing compared to their accomplishment, but just a bit of fun for me.

For today’s post, however, I decided to venture away from the French artists, and decided to share a quick overview of Angelica Kauffmann. I had never heard of her prior to the class, but each time I find a painting of hers in a National Trust house or a museum, I am reminded again of her incomparable talent.

Angelica Kauffman

Joshua Reynolds, Thomas Gainsborough, and John Constable are probably more familiar the average art buff than Angelica Kauffmann, yet Kauffmann was incredibly talented and produced art during the same time period, bucking convention and painting what she wished rather than what was expected of her as a woman, making her a founding member of the British Royal Academy and a sought-after portraitist in London.

Women from the beginning had a difficult time making a name for themselves in the art world. After the Renaissance, the French Royal Academy established what they called the “Hierarchy of Genres,” which prioritized certain types of paintings over others and establishing an order of importance of subject matter. The Royal Academy deemed histories the highest since they dealt with great events in human history as well as religion followed by portraiture, genre paintings (scenes of every day life), landscape, and still life. Believe it or not, this also made it more difficult for women to become a successful artist because acceptable subjects for ladies (still life and animals) were low on the Hierarchy of Genres, not to mention many ladies used watercolour, which was not considered a medium by the establishment of the time—it was considered craft.

Angelica Kauffman was born in Switzerland in 1741 and was considered a child prodigy. Her father and painter Johann Joseph Kauffmann, whose work consisted of murals and portraits, trained Kauffmann as she travelled through Switzerland, Italy, and Austria as his assistant.

Kauffmann, however, began achieving recognition in her own right during a three-year stay in Italy when she began painting histories and portraits, earning her an election to Rome’s Accademia di San Luca at the age of twenty-three.

Kauffmann’s success in painting histories is part of what makes her so interesting. While Kauffman was said to have studied from classical statues, women were not allowed to attend life-drawing classes. These classes, which featured nude models and were strictly attended only by men, were thought to offend the sensibilities of a lady. For most, this restriction limited the artist’s training and for some, the ability to paint a history or a great portrait. Kauffmann didn’t allow this to limit her, and instead, focused her work mostly on female subjects from mythology and classical history.

Portrait of Lady Foster

In 1766, Kauffmann moved to London where she gained popularity as a portrait painter to the aristocracy and also to a few royal patrons. During this time, Kauffmann and Mary Moser were the only two female artists among the founding members of the Royal Academy in London. The painting below, by Johann Zoffany, shows the founding members of the Royal Academy having a life-drawing session with two nude men as models. Note that Mary Moser and Angelica Kauffmann are not present among the men, but are depicted as paintings on the wall. Since the practice was not allowed in reality, they could not portray it in art, so two wonderful female artists are relegated to being works of art themselves.

Portraits of the Academicians of the Royal Academy

After a successful fifteen-year stay in London, Angelica Kauffmann returned to Italy with her husband, painter Antonio Zucchi. When she died in 1807, the famous sculptor Antonio Canova directed her funeral, basing it on the funeral of Raphael. A compliment indeed! 


Just a few places I have found Angelica Kauffman paintings around England:

Lady Elizabeth Christiana Hervey (later Lady Bess Foster) by Angelica Kauffmann can be found at Ickworth in Suffolk.

Henrietta Laura Pulteney (1766-1808)  can be found at the Holburne Museum in Bath
Saltram House in Devon has close to ten Kauffmann paintings including a portrait of Sir Joshua Reynolds and a number of histories (several are on the staircase used in Emma Thompson’s Sense and Sensibility), including Hector taking leave of Andromache and Ulysses discovering Achilles. 



About the Author
L.L. Diamond is more commonly known as Leslie to her friends and Mom to her three kids. A native of Louisiana, she has spent the majority of her life living within an hour of New Orleans until she vowed to follow her husband to the ends of the earth as a military wife. Louisiana, Mississippi, California, Texas, New Mexico, Nebraska, and now England have all been called home along the way. After watching Sense and Sensibility with her mother, Leslie became a fan of Jane Austen, reading her collected works over the next few years. Pride and Prejudice stood out as a favorite and has dominated her writing since finding Jane Austen Fan Fiction. 

Aside from mother and writer, Leslie considers herself a perpetual student. She has degrees in biology and studio art, but will devour any subject of interest simply for the knowledge. As an artist, her concentration is in graphic design, but watercolor is her medium of choice with one of her watercolors featured on the cover of her second book, A Matter of Chance. She is a member of the Jane Austen Society of North America. Leslie also plays flute and piano, but much like Elizabeth Bennet, she is always in need of practice! Leslie’s books include Rain and Retribution, A Matter of Chance, An Unwavering Trust, The Earl’s Conquest, and Particular Intentions.


Sources:
https://nmwa.org/explore/artist-profiles/angelica-kauffman
https://www.royalacademy.org.uk/article/artist-of-the-month-may-2014

images from commons.wikimedia.org

Thursday, 14 July 2016

A Headless Saint at Mount Martyr

Today we journey to Mount Martyr to meet a headless saint who made an appearance in the newspapers of 1720!

St. Dennis
"I shall conclude the Catalogue with this short Remark upon St. Dennis himself, from whom the Town has his Name. History tells us, he was a Judge of Areopagns in Greece, who embraced Christianity upon reading the Account of St. Paul's Conversion. The French who claim for the Tutular Saint and Patron of their Nation, say he was sent over by Pope Clement to convert the Gauls, and that he was the Apostle and first Bp. of Paris. Their Legend adds, that being beheaded at Mount Martyr, in the times of persecution, he walk'd with his Head in his Hand till he came to this place where he dropped it, and several Crosses and Chappels are erected in the Road from Paris hither, which they pretend were the Places at which he rested. They allege that here he was bury'd, tho the monks of St Emeran's near Ratisbon, pretend to have his Body, and that the French have only one of his Fingers; And tis not believed after all, they they have ever had him either Dead or Alive; for Dr. Cave in his Lives of the Fathers, with Lanoy, Sirmond and Du Pin, all 3 French Authors, prove that he never was in France at all.

Yours, Oliver Macdonnald"

Weekly Journal or British Gazetteer (London, England), Saturday, December 24, 1720

St. Dennis

Tuesday, 21 June 2016

The Life and Loves of Madame Recamier

It's my pleasure to welcome Cheryl Bolen to the salon today to discuss another salon keeper, the famed  Madame Recamier!
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The Life and Loves of Madame Recamier

The Duke of Wellington and Napoleon opposed each other not only on the battlefield but also for the affections of a certain beautiful lady. That lady, Madame Recamier, spurned both of these powerful men. Napoleon was so outraged, he banished her from France and her famed Parisian salon where authors and intellectuals—most of whom despised Napoleon—gathered. 

In an era when, as Lord Egremont said, “Women considered it a stain upon their reputation if they hadn’t taken a lover,” Juliette Recamier (1777-1849) went four decades without knowing a lover—not even the wealthy, much-older banker she had married at age 15.

Madame Récamier by Jacques-Louis David, 1800
Madame Récamier by Jacques-Louis David, 1800
Called a figid coquette, Madame Recamier directed her sensuous flirtations on virtually every man who came to her salon on rue du Mont-Blanc—and most of them became captivated by her beauty and voluptuous charm. Author and political philosopher Benjamin Constant said, “Madame Recamier takes it into her head to make me fall in love with her . . . My life is completely upset.” For the next fourteen months, he was tortured by his unrequited love for her. 

He was one of dozens over the years.

Lady Bessborough,  who was among the English aristocrats who flocked to Paris in 1802 after the signing of the short-lived Treaty of Amiens, gives this interesting account of meeting the beautiful Madame Recamier.

I must tell you [Lady Bessborough wrote to her lover, Granville Leveson Gower] tho’, a nasty and an indelicate story, but how distress’d I was at Mad. Recamier’s. We went there and found her in bed—that beautiful bed you saw prints of—muslin and gold curtains, great looking glasses at the side, incense pots, &c., and muslin sheets trimm’d with lace, and beautiful white shoulders expos’d perfectly uncovered to view—in short, completely undress’d and in bed. The room was full of men.

During her salons, Madame Recamier commonly reposed on a chaise longue—a piece of furniture which would later be named a recamier in her honor. A famed portrait by Jacques Louis David of her on her chaise longue hangs in the Louvre. 

The only child of Marie Julie Matton and Jean Bernard, the king’s counsellor, Juliette was born in Lyon, but the family later moved to Paris. During the Reign of Terror, she married Jeanne-Françoise Julie Adélaïde Récamier, who was 27 years her senior. Mystery surrounds the marriage. There is some credence that Recamier married to pass on his fortune if he should fall to the Terror. It was said he was very close to Juliette’s mother. Some suggested Juliette remained a virgin because Recamier was her natural father, but this has been discounted. 

As she neared the age of thirty, Madame Recamier finally fell victim to Cupid’s arrow when she fell in love with Prince Augustus of Prussia, a nephew of Frederick the Great. They met in the Swiss home of her friend, the famed Madame de Stael, who encouraged the romance. Juliette Recamier wrote to her husband to ask for a divorce, but at the time he was besieged with financial woes (he eventually went bankrupt). His response appealed to her sensibilities while telling her she could not have picked a worse time. He also expressed regret that he had respected her virginal susceptibilities. 

Writing years later about her lover, Madame Recamier said, “We were convinced that we were going to be married, and our relationship was very intimate; even so, there was one thing he failed to obtain.”

Prince Augustus of Prussia by Franz Krüger, 1817. The Prince stands before the portrait of Madame Récamier.
Prince Augustus of Prussia
by Franz Krüger, 1817.
Before the two lovers parted, they exchanged written promises. Prince Augustus wrote, “I swear by my honor and by love to preserve in all its purity the sentiment that attaches me to Juliette Recamier, to take all steps that duty allows to unite with her in the bonds of marriage, and to possess no woman as long as there is hope that I may join my destiny with hers. AUGUST, PRINCE OF PRUSSIA.”

Madame Recamier wrote, “I swear by the salvation of my soul to preserve in all its purity the sentiment that attaches me to Prince August of Prussia; to do everything that honor permits to dissolve my marriage, to have no love nor flirtation with any other man, to see him again as soon as possible, and, whatever the future may bring, to entrust my destiny entirely to his honor and his love. J. R.”

The Recamiers did not divorce, and Prince Augustus never married, though two of his long-time mistresses bore him eleven children. Ten years after he fell in love with Juliette Recamier, he had his portrait made standing in front of her portrait. 

Back in Paris, the Recamiers were forceed to sell their house on the rue du Mont Blanc, their silver, and Juliette’s jewelry. She suffered the losses with the same languid serenity that governed her life. By 1809, Recamier was once again in business but on a much smaller scale. 

Even though her circumstances were reduced, Madame Recamier’s salons were as popular as ever. Later she resided in apartments in a former convent, now demolished, at 16 rue de Sèvres in Paris.

It is believe she finally lost her virginity at age 40. Her lover was the 50-year-old author Chateaubriand. 

Her husband died in 1830. She lived another nineteen years before cholera claimed her at age 71. She was buried in the Cimetiere de Montmarte.

Resources

Herold, J. Christopher. Mistress to an Age: A Life of Madame de Staël. The Bobbs-Merrill Company, Inc., 1958.


Lady Granville, The Private Correspondence of Lord Granville Leveson Gower, 2 vol., London, John Murray, 1917.

Written content of this post copyright © Cheryl Bolen, 2016.

Thursday, 9 June 2016

La Dame d'Aprigny

Today I bring you a sinister tale of La Dame d'Aprigny, an easily annoyed sprite of the long 18th century with a penchant for dancing. Though she makes the odd French-language appearance earlier, her first foray into English appears to have come in 1840.

Sophie Gengembre Anderson
MORE SUPERSTITION OF BRITTANY

The Fairy of Argouges - who protected a powerful baron and, indeed, consented to become his bride, on the express stipulation that the word "Death" was never to be uttered in her presence, - is still believed in in Brittany; as well as the legend of La Dame d'Aprigny, a she Robin Goodfellow who used to haunt the Rue St. Quintin about midnight, courteously inviting any chance passenger to take a walk with her; if he consented, she presented her hand to him, with a courteous gesture, dancing gravely along by his side for a few minutes, then disappearing with a courtesy:- if he declined, she resented his want of gallantry by plunging him into the neighbouring moat, which, to make his punishment greater, was deep, and plenteously fringed with thorns and brambles."

Materials for "Table Talk.". The Hull Packet (Hull, England), Friday, September 25, 1840; Issue 2910. British Library Newspapers, Part I: 1800-1900. 


La Dame d'Aprigny

Tuesday, 3 May 2016

City of Smugglers

I am delighted to welcome Alicia Quigley back to the salon to chat about the City of Smugglers (now available on Amazon!) and share an extract from her latest release!
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“La cite de Smoglers”
I’ve been doing a lot of reading about Regency smuggling in the last couple years as I worked on The Contraband Courtship (released last summer) and Lady, Lover, Smuggler, Spy which will be published in May. A lot of this has been fascinating – both how mundane some of the business aspects of it were as well as how violent it could be, and the major financial impact of the guinea smuggling. One of the most interesting things I read about was the “City of Smugglers”.
In fact, the story of the City of Smugglers, a special cantonment built inside the city of Gravelines by Napoleon to support and control the activities of the smugglers plying their trade across the English Channel, is so interesting, that I made it a key plot element in my latest Regency romance. Gravelines and this enclave are mentioned in a number of 19th century books, but those of us without the time to peruse a dozen historical tomes owe a debt of gratitude to Gavin Daly for bringing all of this information together in a readable and interesting paper. 
Dunkirk
Napoleon visited Dunquerque in 1810 which was the hub of the smuggling trade at the time, and decided that it was far too easy for the smugglers to move around there, making it easier for the spies who also worked with the smugglers to ply their trade. Saying he wanted to reduce the impact of the rowdy smugglers on the local population, he built a special enclosed “city” within nearby Gravelines and moved the trade there. Maps of Gravelines and Dunkirk (right) give some insight as to why Gravelines was the preferred city. While Dunkirk is fortified with a large wall around much of it, there is an open area which must have made it very easy for people (or goods) arriving on smuggling boats to just disappear into the countryside. Since Napoleon had a mania for good administration and the collection of customs duties, in addition to his concerns about spying, a look at an old map of Gravelines (below) clearly shows why it was preferable. The fortifications go right around the city, along with a canal in most areas. It was far easier to control the smugglers here than in Dunkirk. Since my next book, Lady, Lover, Smuggler, Spy to be released in May, includes an escape from Gravelines, this map made me wonder how this was to be accomplished, and coming up with a plausible story line took some thought! 
Gravelines

Uniforms
I mentioned customs officials earlier, and although I admit there is little interesting about the Douane in general, also uncovered some interesting information about the “Douane Imperiale” a semi-military unit of customs officials who moved with the French Army to conquered countries to ensure that the ports and trade came under Napoleon’s control swiftly. This unit even took part in skirmishes occasionally as part of their duties. They certainly were handsomely kitted out; here are some images of their striking green uniforms (left and below). This was too much fun to leave out of the book, so the Douane Imperiale makes an appearance in Lady, Lover, Smuggler, Spy as well.
Uniforms
Gravelines was the port through which much of the golden guinea trade flowed, and had counting houses and connections to more than one merchant banking organization. It also had what sounds like a smugglers’ mall, in which over 50 merchants sold gin, fabrics, lace, wine, shawls, and anything else for which there was a market. The heroine in Lady, Lover, Smuggler, Spy takes advantage of this smugglers’ mall as a means of getting needed information, as well as creating some interesting adventures.

Excerpt from Lady, Lover, Smuggler, Spy:

Sir Tarquin handed her to a seat in front of the fire, and then took a chair across from her, settling into it comfortably and crossing his elegantly booted ankles. “So, Mrs. Carlton, I find that I am almost vulgarly curious about your past. It is evident that you are a gentlewoman, yet I found you penniless and unescorted at the Angel this morning. How did that come to pass?” 

Valerie gazed down at her hands, before looking at him. “I am the oldest daughter of Lord Upleadon and his first wife,” she answered, “and married Robert Carlton, an officer in the Light Division.”

“Upleadon?” exclaimed Sir Tarquin. “You are an Upleadon, yet I found you alone, penniless, and ready to board a mail coach?” 

“My father did not approve of Mr. Carlton, I fear,” Valerie answered economically.

“That stiff rumped old tartar--” Sir Tarquin suddenly recalled that his listener was not only a lady, but also the daughter of the gentleman he was about to malign, and fell silent. 

“Quite so,” Valerie responded with a definite hint of laughter in her voice. “In any event, when I insisted on marrying Mr. Carlton my father cut me off entirely. Even when my husband was among the dead at Sabugal he refused to see me.”

“While I’m not well acquainted with the baron, as he is a good deal older than I am and moves in very different circles, I’m sorry to say that I can easily imagine him lacking remorse. You must have been a mere child. How have you managed since then?”

“When I returned to England, several of my friends had married, and were happy to help me get on my feet. I was mourning my husband, and had no wish to remarry or to be a burden on them, however, so I quickly found a position as a governess.”

“But the Battle of Sabugal was three years since. Have you been a governess all this time?” Sir Tarquin asked.

She nodded. “I had only been with the Forneys for in a few months. When I first became a governess I was in charge of a young lady who needed some polishing before she came out, as her parents were not people of fashion. I enjoyed it very much; the daughter was charming and her mother and father were kind and grateful. Unfortunately the two positions that followed it have been much less satisfactory.” 

Valerie fell silent, looking down at her hands, and Sir Tarquin, finding himself appreciating the sight of her blonde curls, fine figure, and aura of calm, didn’t need to stretch his imagination far to imagine the son of the Forney household had been unable to resist the temptation of the pretty governess. 

 “It makes me angry to think of you being preyed upon,” he said abruptly, much to his own surprise.

 “It is a common enough problem, and far worse has befallen others. He did not force me and, while Mrs. Forney was unkind, I left of my own volition,” said Valerie uncomfortably. “My friends have helped me before and will help me now. I would rather spend my time with children, but perhaps I will have to seek employment as a companion to an older lady instead.” 

“You do not deserve a life as a drudge to children or as the companion of elderly harridan, who will doubtless have a horrid grandson who will treat you as Mr. Forney did,” Sir Tarquin exclaimed. “You are young, and have given far too much.”

“Whatever do you mean?” she asked.

“You sacrificed a husband and a family to your country, did you not?”

“I suppose you could say so, although it has been three long years since then.” A wistful look came over her face. “It seems so long ago. Thinking of it now, Robert and I were both practically children; it is almost as though it happened to someone else, or was a story someone told to me.” 

“Yet you are still all but penniless and without protection as a result, are you not? That is not much of an ending to the story.”

She gazed at him thoughtfully. “It was my decision, though I was far too young to understand the possible consequences. In some ways it was worth it all the same; I loved Robert as much as an eighteen-year-old can love anyone, and perhaps even more, I loved following the drum.”

Sir Tarquin looked startled. “Did you really? Surely it was a very hard life for a gently bred and sheltered young lady?” 

Valerie laughed. “Indeed it was! I had no notion that such hardships were ahead of me. Yet the sense of purpose, of being needed and useful, and of having a meaning to my life was so powerful, that it overcame them all. I was always rather bookish, and never truly enjoyed the rounds of parties and balls, to my stepmother’s despair.”

“Even in the tail of the Army with all the camp followers, and rabble you felt so?” Sir Tarquin asked curiously. 

“Oh, I rode with the column, Sir Tarquin,” she exclaimed proudly. “I had no children to care for and I was handy with horses even before I went on campaign, for my father’s stables are renowned and I spent a great deal of time in them as a child. I soon learned to kill and stew a chicken, and make sure that there was always something to eat at our billet, so it was not long before many of the other officers were to be found at our table.”

“You rode with the column?” her companion echoed in surprise.

“Except when an engagement was imminent, yes. In many respects it was as safe as being in the tail of the Army, for Robert’s friends would watch out for me. I moved rearward when there was any real danger.”

“But it must have been difficult to be so far ahead without any servants to help you.”

 “Oh, my husband engaged a woman for me, a large, rather foul mouthed Scotswoman, who was a match for most of the men! She did much of the heaviest work, although I helped, of course.” Sir Tarquin watched as Valerie’s eyes filled with memories that were clearly dear to her. “His batman was also there, and it never seemed as though things were unmanageable. Difficult yes, but even the worst days were just another challenge to rise to…” Valerie’s voice trailed off, and she gazed into the fire, seeing another place and time. 

Sir Tarquin watched her in pensive silence, for a moment and then stood, shaking his head to dispel the thoughts that filled it. “My glass is empty. May I pour you some more punch as well, Mrs. Carlton?” 

Valerie shook off her memories, and handed him her empty glass. “Thank you, Sir Tarquin. You have a way with a punchbowl, it seems.” She watched as he walked away, enjoying the wide set of his shoulders, and athleticism of his gait. After some moments he returned and offered her the cup, now full of warm, spicy liquid. Her fingers brushed his slightly as she took it. She looked away, taking a sip.

“I so miss feeling part of something bigger than me,” she murmured. “A governess makes herself useful, I suppose, but it is not the same. Being a paid companion would be even duller, I fear.”

Sir Tarquin, who still stood beside her chair, reached out with one long finger and tipped her chin up, gazing into her face intently. 

“You most assuredly must not be a companion to a querulous dowager,” he murmured. “It would be an utter waste.”

Valerie stared back at him, at a loss to answer. In the quiet and warmth of the private parlor they seemed removed from the world, and she simply waited for him to act. He gave a tiny sigh, and then lowered his mouth to hers, pressing her lips firmly yet gently as he sought the right pressure. Her mouth trembled a little, and he lifted his, only to press it against hers at a slightly different angle before drawing back, to kiss her cheek, and then one of her eyelids, which had fluttered closed, before releasing her chin and stepping away. 

About the Author:
Alicia Quigley is a lifelong lover of romance novels, who fell in love with Jane Austen in grade school, and Georgette Heyer in junior high. She made up games with playing cards using the face cards for Heyer characters, and sewed regency gowns (walking dresses, riding habits and bonnets that even Lydia Bennett wouldn’t have touched) for her Barbie. In spite of her terrible science and engineering addiction, she remains a devotee of the romance, and enjoys turning her hand to their production as well as their consumption.

Website, Social Media:


Written content of this post copyright © Alicia Quigley, 2016.

Thursday, 4 February 2016

Fighting for Napoleon

It's an honour to welcome Dr Bernard Wilkin to the salon today for his expert take on fighting for Napoleon, in the words of the very soldiers themselves!

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Book cover
I would like to thank you, madame, for having me here today. It’s always a pleasure to talk about my work in such a fine setting. As you probably know, Fighting for Napoleon has just been released by Pen and Sword. This historical study is a labour of love and a family affair. My own ancestor, Jean Lambert Wilkin, served in the French artillery and fought at the battle of Austerlitz. Admittedly, he deserted in 1808 after four years of service… 
Fighting for Napoleon is probably the first book in English entirely based around the correspondence of ordinary soldiers serving in the French army between 1799 and 1815. My father and I found more than 1,500 letters in the archives of Liège (Belgium). What makes this extraordinary body of sources essential is its lack of hindsight and its humility. Soldiers didn’t write for posterity and had no illusion of being important. They only wanted to keep alive a tenuous link with their family. French men wrote about everything. Battles, murders, food, uniforms and travelling were all common subjects. This correspondence tells us far more about the ordinary life in the French army than memoirs. French soldiers didn’t shy away from telling horrific stories of mutilations or brutal raids on civilian communities in Spain to their loved ones. This violence is not to be mistaken with coldness or inhumanity. French soldiers clearly had a different moral compass and felt that mistreating civilians was an inevitable part of warfare. All the aspirations of young men are represented in these letters. Money and family were important topics, but not as much as love. Far away from their fiancées, soldiers tried their best to keep the flame of romance alive. This is not to say that they didn’t seek romance with local girls or paid for sex. 
Fighting for Napoleon is divided in thematic chapters looking at essential aspects of the French army. Letters are carefully explained and their authors have been systematically identified.  I hope, madame, that you and your audience will enjoy reading this book. It is time for me to bid you farewell. Let me offer you, as a token of my appreciation, a love letter written by Augustin Moyarts, a young man who was conscripted in the artillery in 1809. I’m glad to say that he survived the Napoleonic wars.  
On board of the Trajan [A ship] 27 August 1812
My dear Marianne, this travel causes me displeasure because I am far from you. It seems to me that I have no interest in anything since I left you. Nothing interests me except if it relates to you. There is not even one thought that is about something else than you. I am not afraid because being away will not stop you from loving me, you said so yourself. I have such esteem for you that I cannot doubt the sincerity of your virtue. I feel perfectly safe about your fidelity but I am sad to be away. The reasons for which I love you are tormenting me. Miss, these days without you are lost. You must know how impatient I am to finish traveling. Your letters comfort me in my exile. I am your most faithful and tender servant. I received your letter on the fourth of this month. I was very pleased to know that you are in perfect health. I am well and we left for Antwerp. As soon as we arrived, we embarked again. I hoped to come home before embarking but I also hope to see you during winter. I end this letter by kissing you. With all my heart, I am for life your faithful friend. Greetings to your father, mother, brother and sister.

About the Author
Author
Dr Bernard Wilkin is a military historian and a lecturer at the University of Exeter. He is the author of Fighting for Napoleon (Pen & Sword, 2015) and several articles on military history from 1799 to 1815. He can be contacted on twitter: @bernardwilkin




Written content of this post copyright © Bernard Wilkin, 2016.