Showing posts with label Italy. Show all posts
Showing posts with label Italy. Show all posts

Tuesday, 2 February 2016

Elisa Bonaparte Baciocchi, Napoleon’s Smart Sister

It's a thrill to welcome the fantastic Shannon Selin to the salon today, with a tale of Elisa Bonaparte Baciocchi, Napoleon’s smart sister. 


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Elisa Bonaparte Baciocchi, Napoleon’s smart sister
Elisa_Bonaparte_by_François_Gérard
Elisa Bonaparte with her daughter in the Boboli Gardens,
Florence, by François Gérard, 1811
Not as well-known as her sisters, beautiful Pauline and treasonous Caroline, Elisa Bonaparte was more capable than either one of them. In fact, she was the Bonaparte sibling most like Napoleon, although she had the least influence over him. Napoleon himself said, “Elisa has the courage of an Amazon; and like me, she cannot bear to be ruled.” [1]
The ugly sister
Maria Anna Bonaparte – she did not adopt the name “Elisa” until she was about 18 – was born in Ajaccio, Corsica on 3 January 1777, seven and a half years after Napoleon. She was the fourth of Charles and Letizia Bonaparte’s eight surviving offspring, and their eldest daughter.
Since Napoleon moved to France to go to school when Elisa was just two years old, the two of them did not have a chance to become particularly close. The one anecdote we have of them together in Corsica does not reflect well on Elisa. She apparently allowed Napoleon to be whipped for having eaten a basket of a relative’s grapes and figs, even though she and a friend were the guilty parties. [2]
When she was seven, Elisa was admitted on charity to an exclusive boarding school at the convent of Saint-Cyr near Versailles. Her father died the following year. Napoleon, who was at the Royal Military School in Paris, kept an eye on her. A family friend recounts:
One day my mother, and some other members of my family, went on a visit to Saint-Cyr, and [Napoleon] Bonaparte accompanied them. When Marianne [Elisa] came into the parlour she appeared very melancholy, and at the first word that was addressed to her she burst into tears…. At length my mother learned that one of the young ladies…was to leave the school in a week, and that the pupils of her class intended giving her a little entertainment on her departure. Every one had contributed, but Marianne could not give anything, because her allowance of money was nearly exhausted: she had only six francs…. Napoleon’s first movement…was to put his hand into his pocket. However, a moment’s reflection assured him that he should find nothing there; he checked himself, coloured slightly, and stamped his foot…. My mother gave [Marianne] the money, and her distress was ended. [3] 
Elisa_Bonaparte-Guillaume_Guillon-Lethière
Elisa Bonaparte, Grand Duchess of Tuscany,
by Guillaume Guillon-Lethière
Elisa remained at Saint-Cyr until August 1792, when the French Revolution resulted in the closure of all religious houses. Newly promoted to captain in a French artillery regiment, Napoleon escorted his sister back to Corsica. 
The following year, Napoleon had a falling out with the Corsican nationalists. The Bonapartes fled to France. They wound up in Marseilles where, on 1 May 1797, Elisa married Félix Pasquale Baciocchi, a minor Corsican aristocrat and infantry captain 15 years her senior. Napoleon, who was by then a general, disapproved of the match. Although Baciocchi was a decent fellow, he had – as Austrian Foreign Minister Clemens von Metternich put it – an “entire want of intellectual faculties.” [4]
For a while the couple lived with Elisa’s favourite brother, Lucien, with whom she shared a taste for literature and the fine arts. Elisa ran a salon in Paris frequented by the painters Jacques-Louis David and Antoine-Jean Gros, the writer François-René de Chateaubriand, and the poet Louis de Fontanes, who was said to be Elisa’s lover. In 1801, Lucien wrote:
Elisa is altogether taken up with savants. Her house is a tribunal where authors come to be judged. [5]
Though she was clearly intelligent, Elisa gained a reputation of being unattractive. arrogant and sharp-tongued. 
A harsh and domineering expression injured the effect of features which might otherwise have been pleasing, and her manner, which was abrupt and almost contemptuous toward inferiors, rendered her address distant and suspicious. Her bones were large and prominent, and her limbs ill-shaped: her gait was not graceful, and often subjected her to the playful mockeries of her sister Pauline. [6]
A benevolent despot
Marie_Guilhelmine_Benoist
Elisa Bonaparte by Marie Guilhelmine Benoist,
about 1805
Like Caroline, Elisa was upset when Napoleon crowned himself Emperor of the French and did not give her a title. In response, in 1805 Napoleon made Elisa and Baciocchi Princess and Prince of Piombino, a small principality on the west coast of Italy, opposite Elba. He soon added Lucca, north of Piombino, to their holdings.
While Baciocchi commanded their tiny army, Elisa governed. She took her duties seriously, ruling as a benevolent despot. She formed a court in imitation of the one in Paris, drew up a constitution, made laws, and saw to the interests of her domain within the Empire. In June 1806, she wrote to Napoleon:
If the public debt, the pensions and charges imposed on my States are not diminished, they will absorb more than half the revenues. Never in France, under the rule of your predecessors, did the debt exceed the quarter, while under your Empire it is barely a sixth of the proceeds. [7]
Lucca and Piombino prospered. Elisa promoted agriculture and industry, patronized the arts and letters, revived the marble quarries of Carrara, and opened schools and a new hospital. Niccolò Paganini became a court violinist. He gave private lessons to Baciocchi who, according to Lucien Bonaparte, could “scrape [the violin] passably, but so constantly is he at it that he ends by getting on the nerves both of his innocent instrument and his hearers.” [8]
Elisa did such a good job that, in 1809, Napoleon made her Grand Duchess of Tuscany, a place she had long had her eye on. She moved her court to the Pitti Palace in Florence, which she refurbished in competition with Caroline’s court in Naples. Baciocchi did not rise in rank and had little to do. As a general commanding the local military division, he remained under his wife’s supervision. The two lived apart and took lovers.
Franque Joseph
Elisa Bonaparte Baciocchi by Joseph Franque,
1812
Napoleon annexed Tuscany directly to France, so Elisa had less freedom of action there than in Lucca and Piombino, though she did her best to pretend that she was an independent ruler. She complained to Napoleon about interference from French officials. Napoleon sent her letters like this one:
You have the right to appeal to me against my Minister’s decisions, but you have no right to hinder their execution in any way. The Ministers speak in my name. No one has any right to paralyse, or stop the execution, of the orders they transmit. Will you, therefore, be good enough to recommence the carrying out of the Minister’s decision, and to revoke the prohibition you have issued? For the order you gave in this case is criminal, and, in strict law, an accusation against you might be founded on it. … You are a subject, and, like every other French subject, you are obliged to obey the orders of the Ministers – for a writ of Habeas Corpus, issued by the Minister of Police, would fully suffice to arrest you. [9]
Elisa was at least able to blame the imperial government for measures that proved unpopular. She took credit for the popular ones.
Traitor
Prud'hon
Elisa Bonaparte by Pierre-Paul Prud’hon
When Napoleon’s empire began to crumble in early 1814, Caroline’s husband Joachim Murat – who had joined the coalition against Napoleon – sent troops to occupy Tuscany. He allowed Elisa to remain as ruler of Lucca. Seeing that Napoleon was on his way out and hoping to secure her own position, Elisa too broke with France. She wrote to Napoleon in February:
Surrounded by powerful enemies, menaced by land and by sea, betrayed by the King of Naples who deserted your cause, I remain alone in the midst of numerous armies assembled against us. I am alone, without money, without troops, without munitions; in these desperate circumstances, what more can I do for Your Majesty? … [I]t is time that I look after my own interests, that I retain for my family the States that I owe them. [10]
The Tuscans showed no sign of attachment to their Grand Duchess. They hailed the invaders, who were soon joined by the British. Elisa and Baciocchi fled. They tried, unsuccessfully, to make off with the silver and furniture from several of the palaces. As they journeyed across Italy, seeking a place of asylum, Elisa gave birth to a son, Frédéric, on August 10, 1814, just – as one wag put it – “at a moment when she ceased to have need of an heir.” [11] Two earlier sons, born in 1798 and 1810, had died as babies. Elisa also had a daughter, Elisa Napoléone, born at Lucca on 3 June 1806.
When Napoleon escaped from Elba and returned to France in March 1815, the Austrians arrested Elisa and imprisoned her in the fortress of Brünn. She was released once Napoleon was safely on his way to exile on St. Helena. Elisa was given permission to live in Trieste, where she assumed the title of Countess of Compignano. Baciocchi acquired a comfortable villa, which Elisa furnished luxuriantly. She continued to patronize artists and the theatre. She also financed archaeological digs in the area. In June 1820 Elisa contracted a severe infection, from which she died on 7 August 1820 at the age of 43.
Félix Baciocchi by Joseph Franque
Félix Baciocchi by Joseph Franque,
about 1805

When the news of Elisa’s death reached Napoleon, he shut himself up alone for several hours. When he emerged, he said, “There is the first member of my family who has set out on the great journey; in a few months I shall go to join her.” [12] He died nine months later, on 5 May 1821. 
Napoleon told one of his companions on St. Helena:
[Elisa] was a woman of a masterly mind. Had I not been in existence, what is said of the Duchess of Angoulême, that she wears the breeches of the family, might with reason be said of her. She had noble qualities and a remarkable mind; but no intimacy ever existed between us; our characters were opposed to this. [13] 
Baciocchi moved to Bologna, where he had Elisa’s remains interred in the Basilica of San Petronio. He died in 1841. Their son Frédéric was killed in a riding accident in 1833, at the age of 18. Their daughter Elisa Napoléone married a rich Italian count, from whom she separated after a couple of years. Her only child, Charles, committed suicide at the age of 26. Thus Elisa Bonaparte Baciocchi has no living descendants.
References
  1. Charles J. Ingersoll, History of the Second War between the United States of America and Great Britain, Second Series, Vol. 1 (Philadelphia, 1853), p. 174.
  2. Laure Junot, Memoirs of Napoleon, his Court, and Family, Vol. 1 (New York, 1881), pp. 15-16.
  3. Memoirs of Napoleon, his Court, and Family, Vol. 1, p. 31.
  4. Metternich, Richard, ed., Memoirs of Prince Metternich, 1773-1815, Vol. 1 (New York, 1881), p. 309. 
  5. Joseph Turquan, The Sisters of Napoleon, translated and edited by W.R.H. Trowbridge (London, 1908), p. 22.
  6. Frank B. Goodrich, The Court of Napoleon (Philadephia, 1875), p. 260.
  7. The Sisters of Napoleon, p. 55.
  8. The Sisters of Napoleon, p. 14.
  9. Lady Mary Lloyd, New Letters of Napoleon I, edited by Léon Lecestre (New York, 1898), p. 150.
  10. Frédéric Masson, Napoléon et Sa Famille, Vol. 9 (Paris, 1907), p. 260.
  11. The Sisters of Napoleon, p. 77.
  12. Louis Étienne Saint-Denis, Napoleon from the Tuileries to St. Helena, translated by Frank Hunter Potter (New York and London, 1922), p. 250.
  13. Charles Tristan Montholon, History of the Captivity of Napoleon at St. Helena, Vol. 3 (London, 1847), p. 142.

About the Author
Shannon Selin
Shannon Selin is the author of Napoleon in America, which imagines what might have happened if Napoleon had escaped from St. Helena and wound up in the United States in 1821. She blogs about Napoleonic and 19th century history at shannonselin.com.






Written content of this post copyright © Shannon Selin, 2016

Wednesday, 22 July 2015

Alessandro Besozzi, Oboist

Alessandro Besozzi (Parma, Italy, 22nd July 1702 – Turin, Italy, 26th July 1793) 

Composer and oboist Alessandro Besozzi, was born on this day in Parma. A celebrated man of music, he was a particular favourite at Versailles and I hope this wonderful example of his music will soothe your Wednesday!



Friday, 22 May 2015

A Gallery of Robert des Ruines

Hubert Robert (Paris, France, 22nd May 1733 – Paris, France, 15th April 1808)

Hubert Robert by Louise Élisabeth Vigée Le Brun, 1788
Hubert Robert by Louise Élisabeth Vigée Le Brun, 1788
Hubert Robert was born on this day and, for many decades, enjoyed a celebrated career as an architectural painter throughout Europe.

The Arc de Triomphe and the Theatre of Orange, 1787
The Arc de Triomphe and the Theatre of Orange, 1787
Robert des Ruines, as he came to be known, was known for painting romantic, highly detailed paintings and was particularly lauded for his depictions of classical ruins. He even gained the nickname Robert des Ruines" (Robert of the Ruins).

La Grande Galerie du Louvre, 1796
La Grande Galerie du Louvre, 1796
As a guest of the French ambassador to Rome, Robert travelled widely throughout Italy where he honed the skills he had learnt during his education in France. Upon his return to his homeland, he found himself celebrated by public and critics alike, his achievements recognised by his admission to the Académie Royale.

Italian Kitchen, 1760-67
Italian Kitchen, 1760-67

Interior of the Temple of Diana at Nîmes, 1771
Interior of the Temple of Diana at Nîmes, 1771

View of Ripetta, 1766
View of Ripetta, 1766


Tuesday, 7 April 2015

Tuneful Tuesday: Domenico Dragonetti

Domenico Carlo Maria Dragonetti (Venice, Italy, 7th April 1763 – London, England, 16th April 1846)

Today we mark the birth of Domenico Dragonetti, a celebrated double bassist and composer who was born in Italy.

Dragonetti enjoyed great success throughout Europe and was passionate about awakening people to the musical potential of his beloved double bass. Despite his continental success as both bassist and composer, it was in England that he felt most at home and here he spent the last fifty years of his life, performing at both public and private events.


Friday, 27 March 2015

A Gallery of Vien

Joseph-Marie Vien (Montpellier, France, 18th June 1716 – Paris, France, 27th March 1809)

Joseph-Marie Vien was a painter of some renown. The last person to be named Peintre du Roi, whilst the Revolution may have ended this particular office, it did little to blemish Vien's record even though it did much to damage his finances! 

After training in Italy and winning a stable of illustrious patrons, Vien returned to France and acclaim, welcomed to the Bourbon court where he enjoyed enormous favour. Indeed, though the Revolution cut something of a dash through his achievements, the patronage of a certain gentleman named Napoleon saw him restored to prominence and, at his death, he was laid to rest in the Panthéon, his place in history assured.


Sultane Reine, 1748
Sultane Reine, 1748

L'Amour fuyant l'esclavage, 1789
L'Amour fuyant l'esclavage, 1789

The Oath of Catiline
The Oath of Catiline

Sweet Melancholy, 1756
Sweet Melancholy, 1756

Study of the Head of an Old Bearded Man
Study of the Head of an Old Bearded Man

La Sultan Noi, 1748
La Sultan Noir, 1748

Saint Louis, roi de France, remettant la regence a sa mere Blanche de Castille
Saint Louis, roi de France, remettant la regence a sa mere Blanche de Castille

Thursday, 19 March 2015

A Musical Interlude: Francesco Gasparini

Francesco Gasparini (Camaiore, Italy, 19th March 1661 – Rome, Italy, 22 March 1727)

Italian Baroque composer, Francesco Gasparini, was born on this day. An inspiration to Bach, Gasparini was famed in his native land and enjoyed huge success as both a composer and tutor too.

I hope you enjoy this beautiful example of his work; just right to start the steady road to the weekend!



Tuesday, 3 March 2015

Tuneful Tuesday: Niccolò Porpora

Niccolò Porpora (Niccolò Antonio Porpora; Naples, Italy, 17th August 1686 – Naples, Italy, 3rd March 1768)

Composer Niccolò Porpora died on this day; to read the story of his remarkable life, click here; otherwise, enjoy a wonderful musical interlude courtesy of this most talented Italian gent!

This is a very long extract but is really a collection of fine pieces, so you can dip in and out...


Wednesday, 18 February 2015

The Death of Anna Maria de' Medici

Anna Maria Luisa de' Medici (Pitti, Florence, Tuscany, 11th August 1667 – Pitti, Florence, Tuscany, 18th February 1743)

The Electress by Jan Frans van Douven
The Electress by Jan Frans van Douven
Medici is a name that has become somewhat notorious over the years. Immensely powerful, with banking, religion and politics second nature, the family’s reputation resonates even today and in the last few years members of the Medici clan have featured in film, literature and even computer games. The royal line of the house of Medici became extinct on this day in 1743 with the death of Anna Maria Luisa de’ Medici, wife of Johann Wilhelm II, Elector Palatine, a  marriage that remained childless.

The cause of Anna Maria’s death has never been satisfactorily established and was, depending on who is telling the tale, a long and drawn out affair or a sudden, unexpected fever that culminated in an “oppression on the breast”. Upon hearing this last explanation when I first encountered Anna Maria many years ago, I assumed that the unfortunate lady must have succumbed to breast cancer but received wisdom for many years was that Anna Maria actually died as a result of syphilis, contracted from her own husband, who predeceased her by almost three decades.

In the last years of her life, Anna Maria lived a secluded life devoted to amassing a collection of art and donating the vast majority of her fortune to charity. However, on 18th February, as wild winds raged in the skies above Tuscany, the Electress of Palatine died. Her remains were laid to rest in the crypt at the Basilica of San Lorenzo, a structure that she had financed and championed throughout her life and that she even remembered in her will.

However, Anna Maria’s story does not end there and in 2012, Anna Maria’s remains were exhumed for research purposes. Samples of her bones were taken, in addition to a full 3D scan of the skeleton and the contents of the coffin. Subsequent studies on the biological materials recovered from the grave have not conclusively proved the cause of Anna Maria’s death, and to this day, it remains a mystery. 

Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

Pen and Sword
Amazon UK
Amazon US
Book Depository (free worldwide shipping)

Monday, 27 October 2014

The Premiere of Il Pirata

I have made a few theatre trips of late and have several more planned in the forthcoming months, much to my delight; from comedy to drama to musical, it will be almost theatrical winter in the salon!  Although I do not have any operas currently in my theatrical schedule, it is that art form that concerns us today as we find ourselves in Milan for the premiere of Vincenzo Bellini's 1827 smash hit, Il pirata.

Based on Charles Nodier's play, Bertram, ou le Pirate, itself adapted from an earlier work, the opera tells a tale of love, death and madness and is regarded as a romantic tragedy of epic proportions.

 Vincenzo Bellini
 Vincenzo Bellini

Bellini was just twenty six years of age when he arrived in Milan and began to mix in theatrical and musical society, forming close bonds that saw him in the inner circle of those who called La Scala their workplace. It was through these circles that he met librettist, Felice Romani, who discussed with the young composer the possibility of collaborating on an operatic adaptation of Nodier's play. It was to be the start of a hugely successful partnership that extended over numerous projects and years, with the two men forming a close working relationship that resulted in some of the most celebrated works of the era.

With the project officially starting in May 1827, things moved fast and by summer, not only was Bellini was well-embarked on the music, but much of the casting was already confirmed with everything on track for an October opening at La Scala. Although the process moved fast and actors and creatives found the rehearsal process fraught, their efforts were not in vain and the opera was soon on the lips of Milanese theatregoers, with tickets for the opening night in high demand.  

Felice Romani
Felice Romani

In fact, as the curtain came down to rapturous applause on the opening night, there was no doubt whatsoever that Bellini and Romani had a hit on their hands. Almost immediately Il pirate became the hottest ticket in Milan and for the duration of its time in the repertoire, which ended on 2nd December, was a complete sell out.

The cast and creative teams rode the wave of success as the opera transferred across Italy to enormous success and acclaim in the following year, receiving its first international performances too. By the time Il pirate sailed into London in 1830 and America two years later, it was a phenomenon and remains in performance to this very day.

Monday, 13 October 2014

"Too athletic...": Napoleon as Mars the Peacemaker

Antonio Canova  (Possagno, Italy, 1st November 1757 - Venice, Italy, 13th October 1822)


Self Portrait by Antonia Canova, 1892
Self Portrait by Antonia Canova, 1892
Today marks the death of Antonio Canova, a sculptor particularly noted for his nudes. Highly neoclassical, his heroic sculptures can be seen across Europe and today I take a closer look at the monumental Napoleon as Mars the Peacemaker, a giant statue of more than eleven feet in height. However, when the Emperor saw it, he was somewhat less than convinced...

Leaving Rome in 1802, Canova was summoned to Paris by Napoleon himself who, keen to commission a statue from the famed artist, sat for a study and bust. After discussion with his patron as to the eventual look and theme of the word Canova went home once more and began work on the sculpture. He envisioned a depiction of Napoleon as Mars, envisioning a most colossal and breathtaking statue that would no doubt stop its audience in their tracks. 

Accordingly, Canova toiled at the sculpture and those who saw it during the period of its creation were suitably impressed and arranged for it to occupy pride of place in the Musée Napoléon. With the fate of the statue agreed, in 1806 the finished article took up residence in its new home and there it remained. With a somewhat full schedule, Napoleon himself did not actually make a visit to view the sculpture until 1811 and when he did, he was far from pleased with what he saw.


Napoleon as Mars the Peacemaker

Regarding the muscular physique and classical pose, complete with orb and staff, Napoleon declared that it was "too athletic". It was removed from public view and placed behind a concealing screen in the Salle des Hommes Illustres, where it remained for half a decade. The sculpture was set to travel on though and, when the Musée Napoléon was once again named the Louvre, the British government came calling.

In 1816, a purchase price of £3000 was agreed despite Canova's wish to buy the sculpture for his private collection, and Napoleon as Mars the Peacemaker crossed the sea and found a new home in England. Here it was presented by the Prince Regent to the Duke of Wellington, a keen collector of Canova's work. Work was carried out at Aspley House to reinforce the floor and then, finally, Napoleon was installed in London, where he remains to this day.

Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

Pen and Sword
Amazon UK
Amazon US

Book Depository (free worldwide shipping)

Saturday, 4 October 2014

Baron Franz von der Trenck: The Glass-Coffined Prisoner

Baron Franz von der Trenck (Reggio di Calabria, Italy, 1st January 1711 - Brno, Czech Republic, 4th October 1749)


Baron Franz von der Trenck, 1742
Baron Franz von der Trenck, 1742

This is not the first time we have met a chap who goes by the name of von der Trenck but this is not a return trip to the adventurous world of Friedrich von der Trenck, but an audience with his cousin, Baron Franz. The Baron was a professional soldier with a reputation for a hard line and a bad temper and, unsurprisingly, he made many enemies in his near forty year life.


Trenck's undoing came during the War of Austrian Succession when he was charged with providing military support to Maria Theresa of Austria. However, his band of irregulars lost sight of the main aim somewhat and went on a bit of a spree, looting and plundering as they wished. As a result, once peace broke out in 1745, the Baron was called to account for the actions of the men under his command. 


He was charged with permitting and ordering atrocities against civilians, insubordination and fraud. Trenck did not only have powerful enemies to contend with, he was loathed across Austria and Silesia, and the court martial handed down the sentence of death. An outraged Trenck argued that he had not been given a fair trial and the Empress took mercy on her one-time protector and had the sentence commuted to life imprisonment.


Accordingly, the prisoner was taken to Špilberk Castle and locked away. Unsurprisingly for a man who always seemed to land right side up, his time behind bars was not particularly unpleasant and the Baron was able to enjoy a relatively good standard of living. In fact, Trenck had not been in prison for long when he fell ill, slipping into a long and slow decline.


Baron Franz von der Trenck died in his prison at Špilberk Castle In his will he left a fortune behind and asked that it be used to rebuild one of the towns his men had sacked; in accordance with his wishes, he was laid to rest in the Capuchin Monastery Crypt at Brno. Here he has remained ever since, his remains displayed in a glass coffin that visitors are welcome to view!

Friday, 19 September 2014

Maria Anna of Savoy: A Quiet Queen

Maria Anna of Savoy (Maria Anna Carolina Pia di Savoia; Rome, Italy, 19th September 1803 - Prague, Czech Republic, 4th May 1884)


Empress Maria Anna of Austria by Johann Ender
Empress Maria Anna of Austria by Johann Ender

On this day we mark the birth of Maria Anna of Savoy, a lady who attained a few somewhat impressive titles throughout a life that was, by any standards, long-lived. Empress of Austria, Queen of Hungary, Bohemia, Lombardy and Venetia, Maria Anna did not actively seek the limelight and enjoyed a long, happy marriage which I cannot say for all my guests!

Maria Anna and her twin, Maria Teresa, were born in Palazzo Colonna in Rome, Italy, to Archduchess Maria Teresa of Austria-Este and King Victor Emmanuel I of Sardinia. As we have seen so many times before, the girls were both prepared for a noble marriage and at the age of 27, Maria Anna was married by proxy in Turin to King Ferdinand V of Hungary, who would one day be crowned Emperor Ferdinand I of Austria. The couple met on 27th February 1831 in Vienna and were married in person, beginning a union that would last over four decades.


Ferdinand suffered from a variety of neurological problems that led his physician to pronounce that he would not be able to consummate the marriage and though the couple were to remain childless, they were happy together. It was not necessarily passion at first sight but as the years rolled on, the couple did indeed come to love one another deeply, swiftly discovering that they were an ideal match.


When Ferdinand succeeded to the throne as Emperor of Austria in 1835, he benefited greatly from the devoted support of his wife. With his epilepsy worsening, he took great strength from Maria Anna but their reign was not to last and, in 1848, ended in revolution. Following Ferdinand's subsequent abdication, the couple took up a peaceful residence together in Hradčany Palace, Prague, where they settled into a sheltered domestic life.

Here they remained for the rest of their days together and when Ferdinand died in 1875, his widow was bereft. She followed her husband less than a decade later and the couple now rest together in the Imperial Crypt in Vienna, united once more.


Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.
Pen and Sword
Amazon UK
Amazon US
Book Depository (free worldwide shipping)

Wednesday, 17 September 2014

A Musical Theft: The Death of Francesco Geminiani

Francesco Saverio Geminiani (Lucca, Italy, 5th December 1687 – Dublin, Ireland, 17th September 1762)


Francesco Geminiani

Our tale today tells of the death of Francesco Geminiani, an Italian violinist and composer. Nicknamed, Il Furibondo (the madman) by his pupils due to his all-consuming methods of composition and performance, his enormously successful career ended on a sad note during a trip to Ireland.

Geminiani enjoyed the support of numerous most illustrious patrons in Europe and travelled the continent assuming high profile positions and sharing his skills with pupils who often went onto celebrated careers of their own. He wrote books on the theory of violin playing and composition, and composed for that instrument in addition to others.

As suggested by his nickname, Geminiani was devoted to music to the point of obsession. He would spend long hours labouring over his work, seeking perfection in every endeavour and he taught his pupils the importance of striving for perfection.He moved to Dublin in 1760 and spent his time working on an exhaustive book of musical theory, devoting many, many hours to this new manual and pouring himself into it tirelessly.

Disaster struck when a domestic servant, in the pay of an unknown party, stole the manuscript whilst in Dublin and made so good her escape that the book was never recovered. Geminiani sank into an unhappy decline from which he did not recover and he died a broken man in 1762, unable to mentally deal with the loss of his life's masterwork.

Thursday, 14 August 2014

Two Landscapes: A Sunset and a Storm

Claude-Joseph Vernet (Avignon, France, 14th August 1714 – Paris, France, 3rd December 1789)


Claude-Joseph Vernet by Élisabeth-Louise Vigée-Le Brun, 1778
Claude- Joseph Vernet by Élisabeth-Louise Vigée-Le Brun, 1778

On this, the anniversary of the birth of artist, Claude-Joseph Vernet, I thought the time was right to examine some of his remarkable works. The son of a painter, Vernet was noted for the beautiful landscape paintings he produced and he often exhibited contrasting works together, demonstrating the harmony and savagery of nature. Vernet lived for many years in Italy and fell in love with the world of the ocean, depicting wild storms and tranquil surfaces, with ships both in peril and safely sailing into port. These contrasts are nowhere clearer than in his series, Two Landscapes: A Sunset and a Storm.


A Shipwreck in Stormy Seas by Claude-Joseph Vernet, 1773
A Shipwreck in Stormy Seas by Claude-Joseph Vernet, 1773
In 1773, Clive of India purchased two paintings from Vernet, A Shipwreck in Stormy Seas and its companion piece, A Landscape at Sunset. Other than the nautical setting, the content of the paintings could not be more different and A Shipwreck in Stormy Seas depicts an image that would have not been unfamiliar to those who lived in coastal regions. In it we see mighty ships tossed this way and that on the violent waves as the few survivors stagger to safety on the wind-lashed rocks. It is an image that perfectly captures the fury of nature and the dangers of sea travel in the era, with the impressive vessels no match for the lightning we see striking off into the distance as the sun battles to pierce the clouds.


A Landscape at Sunset by Claude-Joseph Vernet, 1773
A Landscape at Sunset by Claude-Joseph Vernet, 1773

Contrast the violence the lightning flaring in the sky with the gentle depiction of soft sunlight on the tranquil waves depicted in its partner, A Landscape at Sunset. Here the waters are not a place of danger but of commerce and recreation, with people fishing and taking the air as the ships that appear so fragile in the storm sail majestically out of port. If this is the maritime dream then A Shipwreck in Stormy Seas is its nightmare flipside, the idea of the ocean as a source of riches depicted likewise as a source of danger.

As a lady who loves the sea, these are richly evocative works and I could study them for hours. Vernet's paintings are so rich in detail and these are only two, I heartily recommend that you seek out others!

Wednesday, 30 July 2014

The Witch of Palermo: Giovanna Bonanno and her Mysterious Vinegar

Giovanna Bonanno (Palermo, Italy, 1713 - Palermo, Italy, 30th July 1789)


Giovanna Bonanno
Giovanna Bonanno

Today our salon is graced by a most questionable sort. Witch, poisoner and executed criminal, Giovanna Bonanno became known as la Vecchia Dell'aceto (Old Vinegar) in fearful recognition of the deadly potions she brewed.

Bonanno's early life is shrouded in mystery and she first appears in records in 1744 when a woman named Anna Pantò married Vincenzo Bonanno. Her existence appears to be one of hardship, scratching a living from begging on the streets of Palermo and selling concoction and potions to those who believed her to be a witch. However, she was to delve into much darker schemes for moneymaking and in the mid-1780s, fate played a deadly hand.

In 1786, a young mother brought her baby to Bonanno for a healing potion, explaining that the child had accidentally taken a drink of a potion intended for the external treatment of lice. The child fell deathly ill and the so-called witch looked on with interest, thinking that this could be a most useful means by which an unhappy woman might rid herself of an unwanted spouse. After all, one less mouth to feed could make a world of difference to women like her, who were forced to scrimp and beg from day to day.

Bonanno's vinegar, a mixture of lice poison and arsenic, proved deadly and impossible to detect in small, repeated doses. Soon men were keeling over all over town and the authorities found themselves utterly helpless to solve this strange string of deaths, all of which were characterised by stomach disorders. For her clients, the system was perfect. Since they believed they were buying an innocent vinegar that had been bewitched, they convinced themselves that they were somehow blameless and that Bonanno was the only guilty party, as she was the woman placing the charms on the liquid.

Bonanno's run of luck could not go unchallenged though eventually Maria Pitarra, a woman who made the deliveries of vinegar, realised that one of the bottles of potion was destined to be used on Giovanna Lombardo, the son of a friend. She warned Lombardo who falsely left word that he would like to buy a draft himself. When Bonanno arrived to make the sale, Lombardo and his witnesses detained her and she was taken  put on trial for witchcraft.

At her trial the suppliers of her ingredients and even some of her clients lined up to point the finger, accusing Bonnarno of bewitching them into making the purchases. and under interrogation, she confessed. Bonnarno was fond guilty and sentenced to hang; she went to the gallows on 30th July 1789 and within six weeks, cautionary plays were being performed telling the story of the notorious witch of Palermo.

Tuesday, 8 July 2014

"Grief returns with the revolving year": The Death of Percy Bysshe Shelley

Percy Bysshe Shelley (Broadbridge Heath, Sussex, West England, 4th August 1792 - Livorno, Italy, 8th  July 1822)


Percy Bysshe Shelley by Alfred Clint, 1819
Percy Bysshe Shelley by Alfred Clint, 1819

Last year, within the first few weeks of the salon doors opening, I told of the life of legendary poet, Percy Bysshe Shelley. He experienced joy and despair, huge highs and deep lows and his life was a short one, ending in tragedy. Today is the anniversary of Shelley's death and I wanted to mark the occasion by relating the circumstances of that last day.

By 1822, Shelley and his wife, Mary, had been in Italy for two years . It had been a visit marked by tragedy as two of the couple's children died whilst on the continent yet Shelley had rediscovered the creativity which had begun to desert him during troublesome times in England. Fired by his newly-rediscovered inspiration, he summoned Leigh Hunt to travel to Italy, intending that he, along with Byron, would collaborate with Shelley on a journal called The Liberal. Hunt was swift to answer the call and the journal was established that same year.


The Funeral of Shelley by Louis Edouard Fournier, 1889
The Funeral of Shelley by Louis Edouard Fournier, 1889

Returning from a meeting regarding The Liberal, Shelley set sail for Lerici on 8th July 1822 in the company of two Englishmen, retired naval officer, Edward Ellerker Williams, and a boatboy named Charles Vivien. The men were destined never to reach their destination and a storm blew up that struck their vessel, recently renamed Ariel, though it had once been called Don Juan, in honour of Lord Byron. When the boat was found drifting it had sustained serious damage to one side, suggesting a collision had occurred.

The decomposed body of the poet washed ashore near Viareggio where it was cremated; according to funereal tradition, Mary was not present. Shelley's ashes were interred in the Protestant Cemetery, Rome, the wanderer having finally reached his rest. He is now memorialised in Poets' Corner at Westminster Abbey, recognised as a literary legend.