Showing posts with label Labille-Guiard (artist). Show all posts
Showing posts with label Labille-Guiard (artist). Show all posts

Saturday, 3 May 2014

Princess Élisabeth of France, A Most Loyal Sister

Princess Élisabeth of France (Élisabeth Philippine Marie Hélène de France, Versailles, France, 3rd May 1764 - Paris, France, 10th May 1794)


Élisabeth de France by Louise Élisabeth Vigée Le Brun
Élisabeth de France by Louise Élisabeth Vigée Le Brun

It seems like barely a week goes by without a trip to revolutionary France and today we are there again, this time to meet the lady known as Princess Élisabeth of France. Known as Madame Élisabeth, she was a loyal and loving sister of Louis XVI and remained with the doomed royal family to the very end.

Élisabeth birth was a far cry from the sad scenes that would close her life and she was born at the Palace of Versailles, daughter of Dauphin Louis and Marie-Josèphe of Saxony. Orphaned at the tender age of two, the little girl and her sister, Madame Clotilde, were raised Marie Louise de Rohan, comtesse de Marsan.

Under Marie Louise's tutelege they enjoyed an excellent education and Élisabeth soon showed herself to be a highly skilled artist as well as a pious young lady dedicated to her faith and family above all else. The thought of leaving France was one that the young Élisabeth refused to countenance and as a result she rebuffed discussions regarding a possible marriage to Joseph II, Holy Roman Emperor. Instead, Élisabeth remained with the family she adored and she held true to this even when Revolution swept through France urging her brother to put down the people by force.



Élisabeth of France by Joseph Ducreux, 1768
Élisabeth of France by Joseph Ducreux, 1768

A passionate defender of the French monarchy, she wrote a letter to her brother,  Charles-Philippe, comte d'Artois, urging him to marshal military forces to come to her brother's aid. The letter was intercepted by the National Assembly and they began to regard Élisabeth with new eyes though even now her fate was not quite decided.


Further opportunities were presented for Élisabeth to leave the family and go to safety with her aunts yet she elected instead to join the ill-fated flight to Varennes, in the guise of a nursemaid. When the escape was thwarted she was returned to Paris with her family, providing much needed moral support as their situation became more desperate.


Madame Élisabeth by Adélaïde Labille-Guiard, 1788
Madame Élisabeth by Adélaïde Labille-Guiard, 1788

Following the Insurrection of 10th August 1792, she was imprisoned in the Temple Tower with the rest of the royal family. Élisabeth and her niece, Marie-Thérèse remained with Marie Antoinette until she was transferred to the Concierge on 2nd August 1793 and were never told of her death. The final letter written by the queen was addressed to Élisabeth but never reached her. Held in the Temple with the teenaged Marie-Thérèse, Élisabeth provided her niece with moral support and comfort, a familiar and friendly face at what must have been a terrifying time for the young girl.

Élisabeth presented something of a problem for the new administration and initially they hoped to exile her from the country yet it soon became apparent that she was not willing to go quietly. Accused of aiding her brother's escape attempts, she remained defiant at her trial and spoke passionately to the Tribunal in support of her family and the monarchy.  There was no question of what the verdict would be and she was duly pronounced guilty and sentenced to death.



Madame Élisabeth as a Vestal Virgin by Charles Le Clerq, 1780s
Madame Élisabeth as a Vestal Virgin by Charles Le Clerq, 1780s

The Princess was one of two dozen prisoners who were condemned to be executed on the same day and as she waited for her turn on the scaffold Élisabeth provided support and prayers for those who were due to die alongside her. Élisabeth mounted the steps to the scaffold with dignity, showing no fear to the crowd that had gathered to watch and following her death she was interred in a mass grave at the Cimetière des Errancis.

Following the Restoration, Louis XVIII attempted to recover her remains but they were unidentifiable. Instead, the Princess is remembered with a memorial dedicated to her name in
 the Basilica of Saint Denis.



Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

Pen and Sword
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Book Depository (free worldwide shipping)
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Friday, 15 November 2013

Charles-Amédée-Philippe van Loo, Professor d'Ecole des Beaux-Art

Charles-Amédée-Philippe van Loo (Rivoli, Italy, 25th August 1719 – Paris, France, 15th November 1795)


Charles-Amédée-Philippe van Loo by Adélaïde Labille-Guiard, 1785
Académie Royale de Peinture et de Sculpture by Adélaïde Labille-Guiard, 1785

We've had an artistic time of late and today return to the canvas to meet a man who was artistic royalty, coming from a long line of illustrious, successful painters. Charles-Amédée-Philippe van Loo became known as a painter of portraits and allegories and enjoyed a celebrated career.

Charles-Amédée-Philippe van Loo was born to the painter Jean-Baptiste van Loo and his wife, Marguerite Le Brun. With three generations of artistic blood running in his veins, the young van Loo showed an early aptitude for art and under the tutelage of his father, developed his skills and talent at a startling rate. He focussed on the basics of illustration and anatomy during his early years in Turin before moving on to Rome and more ambitious pieces, developing a particular interest in allegorical works.


The Camera Obscura by Charles-Amédée-Philippe van Loo, 1764
The Camera Obscura, 1764

When he reached the age of 19, van Loo's efforts were rewarded with the prestigious Prix de Rome. Following this victory he spent some time travelling Italy and eventually arrived in France, joining the Académie Royale de Peinture et de Sculpture in 1747. That same year he married Marie-Marguerite Lebrun, the happiness of his personal life mirrored by professional success.


Luise Henriette Wilhelmine von Anhalt-Dessau by Charles-Amédée-Philippe van Loo
Luise Henriette Wilhelmine von Anhalt-Dessaui

Van Loo enjoyed the patronage of illustrious European figures and in 1770 he was appointed Professor at the Ecole des Beaux-Arts in Paris, a role he held until his death. His works exist in the grandest houses and galleries of Europe, offering a rich window into the world he knew and the people who partonised him.

Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.


Book Depository (free worldwide shipping)