Showing posts with label Marie Antoinette. Show all posts
Showing posts with label Marie Antoinette. Show all posts

Friday, 29 May 2020

Marie Antoinette: Dauphins and Dentistry

Marie Antoinette
I'm delighted to be visiting my esteemed publisher, Pen & Sword, to tell the story of the making of Marie Antoinette, From hairdressers to dauphins to haberdashers, dauphins to dentistry, don't miss this glimpse into the creation of a queen!

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Monday, 2 November 2015

The Birthday of Marie Antoinette

Maria Antonia Josepha Johanna (Vienna, Austria, 2nd November 1755 - Paris, France, 16th October 1793)

On this day in 1755, Marie Antoinette was born. The late queen crops up many times in my forthcoming book, Life in the Georgian Court and I thought this would be a fine opportunity to look back on the posts in which she has featured.

I hope you will enjoy this gad into the queenly archives! 


The Queen's Possessions

The queen's very own make up chair!

A painting depicts the young dauphine in her musical element. and read more about the magnificent harp that the queen adored.

All that remains of a magnificent dress...

And the dainty shoes that might have accompanied it...

A picture of the queen in her lingerie causes a sensation!


The Queen's Marriage and Family

Maximilien Robespierre Welcomes Louis XVI
What happened when a young Robespierre waited in the rain to greet the king and queen...

A Parisian Fireworks Disaster
When a crowd gathered to celebrate the marriage of Louis XVI and Marie Antoinette, terrible tragedy struck.

The Marriage of Marie Antoinette and Louis XVI
A happy day for the Dauphin and Archduchess.

"She would have been my friend"
The short life of a royal princess.
The Queen's Death

My Blood Alone Remains
The final hours in the life of Marie Antoinette

The Queen's Last Journey
An iconic sketch by a master of Revolutionary propaganda.


A poignant memorial to the late queen's children, written in her final hours. 

Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.


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Friday, 16 October 2015

A Digest of Marie Antoinette

Maria Antonia Josepha Johanna (Vienna, Austria, 2nd November 1755 - Paris, France, 16th October 1793)

On this day in 1793, Marie Antoinette died on the guillotine. The late queen has visited the salon many times and is a key figure in my forthcoming book, Life in the Georgian Court. Given the date, I thought it would be a fine opportunity to look back on the posts in which she has featured.

I hope you will enjoy this gad into the archives in search of a most unfortunate queen.

My Blood Alone Remains
The final hours in the life of Marie Antoinette

The Queen's Last Journey
An iconic sketch by a master of Revolutionary propaganda.


A poignant memorial to the late queen's children, written in her final hours. 

The Queen's Possessions

The queen's very own make up chair!

A painting depicts the young dauphine in her musical element. and read more about the magnificent harp that the queen adored.

All that remains of a magnificent dress...

And the dainty shoes that might have accompanied it...

A picture of the queen in her lingerie causes a sensation!

A Royal Marriage


Maximilien Robespierre Welcomes Louis XVI
What happened when a young Robespierre waited in the rain to greet the king and queen...

A Parisian Fireworks Disaster
When a crowd gathered to celebrate the marriage of Louis XVI and Marie Antoinette, terrible tragedy struck.

The Marriage of Marie Antoinette and Louis XVI
A happy day for the Dauphin and Archduchess.

Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

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Thursday, 5 February 2015

Marie Antoinette's Fauteuil de Toilette

There is a chair in my cosy salon that is, I think, the most comfortable in all of England. Many's the evening when I can be found there with my cup of tea, quill moving quickly over the page as I set down my latest tale of Georgian life. It is not the most pretty chair, nor the grandest, but it is certainly a comfortable one! My post today is on the subject of a most particular chair yet this one was owned by a certain executed queen of France and was part of the furniture at the Petit Trianon.


Marie Antoinette's chair
The Getty Museum

When one thinks of Marie Antoinette's glory days, one naturally thinks of luxury and decadence, of excess and largess. This chair, however, is deceptively simple and suitably rustic to assume a place at the Petit Trianon. Although it is now down to plain wood, the chair was originally painted in rustic colours and where it has been recovered in a rather drab velvet, the original upholstery featured a motif of embroidered flowers.


The chair was made in 1787 by Georges Jacob, whilst the intricate woodcarvings and tiny pine cone feet were done by Pierre-Claude Triquet and Jean-Baptiste-Simon Rode. The attention to detail is quite exquisite and when fully painted, it must have been a breathtaking thing to see alongside its companion pieces, all of which were made for the queen's bedroom.


The seat of the fauteuil de toilette is capable of swivelling through 360 degrees and it served as a chair for Marie Antoinette to use whilst her hair was being dressed and make up applied. The low back of the chair was perfect for the queen's attendants to dress her hair whilst ensuring she was still comfortable. No doubt this chair witnessed some of the court intrigue for which Versailles was famous; certainly, as a piece chosen for Marie Antoinette's private rooms, it would have heard one or two things that even the kind was never privy to!



Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

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Tuesday, 23 December 2014

Marie Antoinette's Prayer Book

My post on the execution of Marie Antoinette continues to be one of the most popular here at the Guide, as do all posts concerning the unfortunate queen. On several occasions I have been contacted by people who enquire about the prayer book in which Marie Antoinette penned her final words and whether it still exists.

I am pleased to report that it does indeed still exist, though it has not weathered the years well. Printed in 1757, the book remained with the queen during her incarceration and as she waited for the sun to rise on the day of her death, the condemned woman penned a few final, pitiful lines in the small book book. 

"My God, have pity on me! My eyes have no more tears to cry for you my poor children; adieu! adieu!"

The book was later claimed by Robespierre and after his death was found tucked in with his private papers and concealed beneath a a hidden compartment in his bedchamber, a personal keepsake of the end of the monarchy.



Marie Antoinette's Prayer Book inscription
Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

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Wednesday, 10 December 2014

Marie Antoinette Playing the Harp at the French Court

A couple of months ago I published a post on Marie Antoinette's rather beautiful harp. The painting I featured in that post showing the queen playing the harp attracted no small amount of attention from readers, so I thought that I would let that work enjoy the spotlight today!

Marie Antoinette was a keen harpist since childhood, having been tutored by Philippe Joseph Hinner. She was also a keen artist and the painting, Marie Antoinette playing the harp at the French Court, was produced by one of her favourite artists, Jean-Baptiste André Gautier d'Agoty.


Marie Antoinette playing the harp at the French Court by Jean-Baptiste André Gautier d'Agoty, 1777

D'Agoty had been the queen's painter of choice since she came to France and became peintre de la reine in 1775. That same year, he began work on a painting showing Marie Antoinette playing the harp at Versailles. Surrounded by an audience of adoring courtiers, she happily performs music for their entertainment. Dressed casually in a morning gown, Marie Antoinette looks at ease in her role as hostess, though she remains the centre of both the scene and attention.

In the bottom right of the portrait d'Agoty has added himself as a character, sketching out the formal full-length portrait of the queen below. Clearly very happy with the way his life and career had gone, d'Agoty couldn't help but add a little self-congratulatory element to the painting and to the left Marie Antoinette's lady-in-waiting hands her the royal warrant that will name d'Agoty as peintre de la reine!


Marie Antoinette by Jean-Baptiste André Gautier d'Agoty, 1775


Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

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Saturday, 8 November 2014

Joseph Ducreux: Self Portrait of the Artist in the Guise of a Mockingbird

Today I return to my occasional series on works of art that have caught my eye though I think it would be fair to say that the painting I have chosen to feature is a little unusual. It is a portrait, though not a traditional one by any means, and it has gone on to enjoy a rich life in the modern era as the basis for a famous and popular meme, making it something of a one-off among Georgian artworks! 

Portrait of the Artist in the Guise of a Mockingbird by Joseph Ducreux, 1791


The painting is, of course, Joseph Ducreux's Portrait de l'artiste sous les traits d'un moqueur or, to give it its English title, Self Portrait of the Artist in the Guise of a Mockingbird. It was painted in 1791 and received its first exhibition in 1793, by which point Ducreaux was already well-established as a painter with some illustrious clients.

Ducreaux had painted Marie Antoinette prior to her marriage to the man who would become Louis XVI. She was so pleased with the work that Ducreaux was eventually named First Painter to the Queen, a somewhat controversial appointment given that he was not even a member of the Royal Academy of Painting and Sculpture! Still, what the queen wanted, the queen got, so the artist was duly honoured with the coveted title.

In addition to his celebrated portraiture, Ducreux also had something of a line in somewhat more unusual self-portraits, and this work is one of them. From within the canvas he presents an assured, self-possessed figure pointing and laughing directly at the audience. He strove to convey an impression of the character of the sitter through facial expression in these self-portraits, so shows himself here as a rambunctious, mischievous sort of fellow and one who absolutely must be the centre of attention.

Looking at this work we take away an impression of Ducreaux as a man full of character and possessed of a sense of fun and, I suspect, a rich vein of humour. This painting has become widely known in recent years across the internet; I wonder what Ducreaux would have made of that!

Wednesday, 5 November 2014

For Bonfire Night: A Parisian Fireworks Disaster

As these long evenings draw in and I look out of my salon window and over the city, all over the darkness is illuminated by small bonfires lit to fend off the night. Of course, there will be more bonfires than ever tonight as we gather to celebrate Guy Fawkes Night and though I shall remain safely indoors with my hound, watching the displays from the warmth of my drawing room, many more will venture out into the cold to enjoy this autumnal tradition.

As you watch in wonder though, spare a thought for those who attended a display in Paris on 30th May 1770. Gathered in the Place Louis XV (now the Place de la Concorde) to attend an event in celebration of the marriage of Marie Antoinette and the future Louis XVI, a night of festivities turned into a tragedy in which many lost their lives.


In order to mark the happy occasion of the royal marriage, a wonderful fete was planned for the citizens of Paris. Alcohol would flow, entertainers would promenade and fireworks designed by the famed Italian firm established by the Ruggiers brothers would explode over the crowds. 



Fireworks

By all accounts the night was a triumph until, as the evening winds blew stronger, disaster struck. Caught in the gusts, lit fireworks were swept into unlit rockets and the whole began to go off, flying amid the crowd. Wooden stalls caught alight, seating collapsed and the audience panicked. Hemmed in by the ditches that flanked the Place Louis XV, they attempted to flee for the presumed safety of the narrow Rue Royale but this was to prove a fatal decision. 


The crowd surged into the bottleneck but found themselves met by another large group coming in the opposite direction to join the party, unaware of the drama unfolding. People were trampled and crushed in the ensuing panic and though official estimates put the death toll at 133, unofficial accounts record it as far higher. Hundreds of survivors suffered injury and some were left with permanent disabilities as a result of the night on which celebration turned to tragedy in honour of the royal nuptials.


You can find out more about the couple and their opulent wedding in my book, Life in the Georgian Court, available at the links below.


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Sunday, 2 November 2014

A Fragment of Marie Antoinette's Gown

Today we celebrate the birthday of a most iconic lady. Having peeked in at her death, walked in her shoes, strummed her harp and even witnessed her marriage, today I offer a look at a small fragment of cloth. It might seem unremarkable but it is, of course, a fragment of a court dress petticoat that once graced Marie Antoinette.



This pretty, silk satin fabric is reputed to have been brought to England by a Monsieur Besnard, who was employed in the maintenance of the Bourbon wardrobe. A loyal retainer of the queen, Besnard was the advance guard of sorts and when the winds of Revolution began to blow, he was sent to settle in England. Here he awaited the queen's expected escape from France, safely armed with some choice items form her wardrobe. After all, when Marie Antoinette escaped from France and set up home across the Channel she would, of course, want something suitably regal in which to gad about. 


Of course, that escape never came and Besnard and the royal wardrobe awaited the queen in vain. Rather than England, ornate petticoats and freedom, Marie Antoinette went to the National Razor, with no need whatsoever for frocks as ornate as the ones that had been squirrelled away for her.


A heartbroken Besnard cut up the gown in his care and handed out the pieces to loyalists in memory of the late queen. The fragments of cloth were  treated as though they were holy relics, treasured memorials to the doomed monarch to be cared for and held in trust. Though the majority of the pieces are unaccounted for this one survives in the care of the Museum of London, a tantalising glimpse of a beautiful garment and a lost age.

Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

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Thursday, 16 October 2014

The Slippers of Marie Antoinette

Maria Antonia Josepha Johanna (Vienna, Austria, 2nd November 1755 - Paris, France, 16th October 1793)

On this day in 1793, Marie Antoinette went to her death. Last year I wrote of the last day in the life of this most iconic of French queens but today, I thought I would mark the occasion with a somewhat more pastoral post. Indeed, the topic of my blog today is nothing more lofty than Marie Antoinette's shoes!

Having trod the floors of Versailles and no doubt accompanied some quite wonderful gowns, these delicate silk shoes in a suitably dainty green and pink hue saw the light of day once more on 16th October 2012, at the Paris Drouot auction house. 


Marie Antoinette's shoes

Unsurprisingly, the shoes generated enormous interest and the auctioneer put an expected price on them of around €10,000 ($12,600 or £7,800). As is so often the case, this proved wildly inaccurate and instead the heeled footwear sold for a whopping 50,000 ($63,300 or £39,300) to an unidentified bidder.

The shoes had been given as a gift to a servant, Alexandre-Bernard Ju-Des-Retz in 1775. He passed them along to his family and they continued to be handed down the line until they were eventually put on sale, along with a certificate of authenticity guaranteeing that the ill-fated queen had indeed sported these dainty little shoes during her tumultuous life!

If only these slippers could talk, who knows what a tale they might tell!

Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

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Thursday, 2 October 2014

Marie Antoinette's Harp

It seems like a long time since I shared a tale of Marie Antoinette and of late, every visit to the iconic queen has been tinged with sadness so today seemed right for a more cheerful tale. I am a music lover and was a somewhat tentative musician in my youth, so it is a pleasure to introduce you to Marie Antoinette's harp, a treasured possession of the late monarch. She was a passionate musician and a talented one too and one of her greatest loves was entertaining at the harp.


Marie Antoinette's Harp
https://www.antiquesjournal.com/

Marie Antoinette was taught to play the harp by Philippe Joseph Hinner and she flourished. Naturally, the young lady needed a harp fit for a queen and in November 1774, instrument-maker Jean-Henri Naderman was happy to oblige. He created this fabulous harp and it was presented to Marie Antoinette on her nineteenth birthday in 1774, to the queen's utter delight. 

Richly decorated with flowers and featuring painted depictions of Minerva, the patroness of artists, the harp is truly a thing of beauty and no doubt suited Marie Antoinette to a tee! The harp served a practical purpose as the young mother would soothe her children to sleep by accompanying her own lullabies with its melody and she treasured it for many years.


Marie Antoinette playing the harp at the French Court by Jean-Baptiste André Gautier d'Agoty, 1777
Marie Antoinette playing the harp at the French Court by Jean-Baptiste André Gautier d'Agoty, 1777
After the death of the queen, the harp was passed through private hands and, happily, was well cared for. It now rests in the Musée municipal de Vendôme,Vendôme. The harp is played rarely, if ever, its gentle song silenced for now.

Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

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Saturday, 30 August 2014

Jacques-Louis David and the Last Journey of Marie Antoinette

Jacques-Louis David (Paris, France, 30th August 1748 - Brussels, Belgium 29th December 1825)

On this day in 1748, famed artist Jacques-Louis David was born. Initially renowned for his history paintings, David eventually began to develop strong Revolutionary sensibilities and became closely allied to Marat, producing a famed painting depicting his death. He later grew close to Robespierre and enjoyed immense influence over French arts and culture during the Revolution and then the rule of Napoleon. Although known for his grand works and portraits, I have chosen instead to concentrate on a more simple sketch he produced, that of Marie Antoinette on her way to the guillotine.


Marie Antoinette on the Way to the Guillotine by Jacques-Louis David, 1793
Marie Antoinette on the Way to the Guillotine by Jacques-Louis David, 1793

When David sketched the doomed queen on 16th October 1793, she was a world away from the grand, glamorous figure memorialised in innumerable works of art. In her thirty seventh year, Marie Antoinette had been incarcerated for some time and David depicts her with an unflinching eye, showing an unremarkable woman, face haggard and toothless, hair shorn and her hands bound as she sits in the tumbrel on its way to the scaffold. One cannot help but notice how straight she sits, though the expression on her face is one of grim sadness.

In this simplest of sketches David shows not a queen, nor the hated figure so vilified by her persecutors, but a simple human in her final minutes. There was nothing remotely Royalist in David's work and yet his honest depiction carries with it a dignity of its own. He might have produced far finer works and laboured long hours over great canvasses but for me, this simple, human sketch is one of David's greatest works; it captures a singular moment in time and one that, as the tumbrel rolled on past the artist's window, was soon gone forever.

Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

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Thursday, 19 June 2014

"She would have been my friend": Princess Sophie Hélène Béatrice of France

Princess Sophie Hélène Béatrice of France (Marie Sophie Hélène Béatrice de France; Versailles, France, 9th July 1786 - Versailles, France, 19th June 1787) 


Princess Marie Sophie Hélène Béatrix de France by Louise Élisabeth Vigée Le Brun, 1786
Princess Marie Sophie Hélène Béatrice de France by Louise Élisabeth Vigée Le Brun, 1786

Today we return to Versailles and Bourbon court once more to hear the tragic story of a daughter of Louis XVI and Marie Antoinette. Princess Sophie Hélène Béatrice of France did not even live to celebrate her first birthday and her death left her parents bereft.

When Sophie was born she took her name from her recently deceased paternal aunt, Sophie de France, who died just four days before the infant came into the world. Although she was certainly not a physically small child, Sophie's health was weak from birth and over the short months of her life, it became apparent that the infant Fille de France was suffering from what appeared to be tuberculosis.

The best efforts of Sophie's physicians and carers could do nothing to halt the progress of the infection and in June 1787, the cutting of her teeth began to have dire side effects. Suffering from the pain of teething, the little girl suffered violent convulsions over the course of the final week of her life. 

She died on 19th June, her health just too damaged to recover. Her parents were inconsolable with Marie Antoinette telling those who counselled her, "She would have been my friend".The loss of a child was a pain they were destined to suffer again, just two years later.

Life in the Georgian Court, true tales of 18th century royalty, is available at the links below.

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Thursday, 8 May 2014

A Salon Guest... Marie Antoinette Bucking the System (of Etiquette)

Today it is a pleasure and a joy to welcome the estimable Ginger Myrick to the salon. Ginger will be taking us on a trip into the court of Marie Antoinette and also shares an extract from Insatiable, her wonderful new novel. 

Insatiable by Ginger Myrick


--oOo--- 

Marie Antoinette Bucking the System (of Etiquette)

When Marie Antoinette first arrived in France and became Dauphine, every aspect of her routine was dictated by the ever present etiquette. In her early years at Versailles, she was docile and eager to please, knowing that any misstep would be reported to her mother, the Holy Roman Empress, the person she wished to satisfy above all others. Living her life under such constant scrutiny was a heavy burden to Marie Antoinette, but she was expected to gracefully bear it all, which she did for four long years.

The system of court etiquette originally establish by Louis XIV, the Sun King, was inescapable, almost an entity in itself.  Although the young Dauphine accepted the necessity of her routine and tolerated it to a certain extent, she was known to register her disdain from time to time. There is a well known incident when she actually voiced her exasperation aloud. This slip took place in her early years when during the course of her lever—the tedious ritual of her morning toilette—she was left waiting naked while a series of higher ranking Ladies entered her bedchamber and were forced to cede the honor of handing the Dauphine her underwear to the next in line. Marie Antoinette was reported to have said, “This is maddening! This is ridiculous!” which was unthinkable. No one in the French hierarchy had ever dared to question the proceedings, which had been in place since the moving of the court from Paris to Versailles in 1682. But when Marie Antoinette became Queen, there was no one to stop her.

Marie Antoinette by Martin van Meytens, 1767
Marie Antoinette by Martin van Meytens, 1767

Louis XV died of smallpox in 1774, and Louis-Auguste and Marie Antoinette became the King and Queen of France while still teenagers. Eager to take charge of her life and establish her authority, one of the first things the new Queen did was get rid of one of the stuffy old ladies at Versailles—whom she secretly referred to as bundles—the Comtesse de Noailles, nicknamed Madame Etiquette. Although this may have seemed a tactless act, the Queen went about the expulsion in a very subtle way.  She used her knowledge of etiquette against its enforcer by awarding the superior position of Superintendant of the Household to her friend, the Princesse de Lamballe. This resulted in putting the princess one step above the comtesse’s own position as Mistress of the Household. This was a serious breach in the etiquette the new Queen was endeavoring to buck. The comtesse was so indignant over being demoted in favor of a person without the pedigree to back it up that she resigned, leaving the new Queen and her friends with no one to reprimand them.

Comeesse de Noailles, The Lady with the Mask by Pierre Louis de Surugue, 1746
Comeesse de Noailles, The Lady with the Mask by Pierre Louis de Surugue, 1746

Here, another of her partners-in-crime enters the picture and shakes things up a bit more. During a court function around the same time, the Queen was presented with a young attractive couple, the Duc and Duchesse de Polignac. After spending a good deal of the night in rapt conversation with her vibrant new friend, Marie Antoinette decided she could not live happily without her. To ensure that the duchesse—Gabrielle as her new acquaintance urged the Queen to refer to her—remained by her side, Marie Antoinette found the Duc a position at court and installed them at Versailles, all with Louis XVI’s approval. Of course, no one would dare gainsay the King, who could not bring himself to object to so small a thing when it brought such happiness to his wife. But again, the protocol was ignored and certain people were miffed. From there, things only proceeded to get worse.

When Marie Antoinette’s husband was crowned Louis XVI in 1775, he gifted her le Petit Trianon, a private chateau on the grounds of Versailles, and Marie Antoinette wasted no time renovating the place and turning it into her personal sanctuary. It was here that she held her late-night card parties and extravagant dinners. For her twenty-first birthday she threw a three-day gambling party that even her stuffy husband attended. Although in her mind there was nothing wrong with these innocent pleasures, it was this blatant enjoying herself away from the eyes of the public that began speculation about the goings-on there.

The Duchess of Polignac by Louise Élisabeth Vigée Le Brun, 1787
The Duchess of Polignac by Louise Élisabeth Vigée Le Brun, 1787

The common people were indignant over not being able to openly observe the actions of their royal family, to whom they had always had access in the past. If the new Queen did not want to be observed, she must be doing something illicit! It was at this point that the libelles took advantage of the brewing drama and began to slander her character. Those who knew her found the allegations laughable and so did the Queen. Not knowing how to combat the untruths nor how to remedy the situation, she simply ignored all of it and continued to live her life in the same careless and extravagant manner, which was unwise, especially when the people of France were in dire straits. It was exactly this disparaging of her public image that made it possible for l’Affaire du Collier to be attributed to the acquisitive nature of Madame Deficit, which was the final straw in turning her into the scapegoat for all of France’s troubles. It set the stage for the French Revolution and the eventual execution of both Louis XVI and Marie Antoinette, who represented everything the people were rebelling against and would endeavor to never allow to rise again.


--oOo---
EXCERPT FROM INSATIABLE: A MACABRE HISTORY OF FRANCE ~ L’AMOUR: MARIE ANTOINETTE:

Although Fersen’s continued association was something Marie Antoinette desperately desired, it was difficult for them to speak uninhibited at Versailles. Because she finally carried a royal child within her womb, the Queen’s every move was closely watched, and there could be no departure from the formality of etiquette. A few days later, they met again, and when they were left unguarded for a few moments, she casually mentioned her informal card parties at le Petit Trianon.

“It occurred to me that you might be a fitting addition to our little crowd,” she said, giving him a sidelong look from under her long lashes. “Would you be interested?”

“I have been known to play a hand or two,” he nodded with the slight mocking upturn to his prim mouth she was beginning to love so well. “But I was under the impression that entry to the Queen’s private retreat was a zealously guarded privilege. I thought one had to be invited.”

“Haven’t I just invited you?” she asked, enjoying the playful banter and wanting to prolong their conversation as long as she could, just to be in his presence a few minutes more. “If you are not comfortable with that, I can send a more formal invitation.”

“Your word is enough, my Queen, as long as you can promise that I will not be impaled by a guardsman without written confirmation.”

“I’m not sure written confirmation would help. I don’t think the guardsman can read,” she quipped. “And he sometimes arrives in a foul temper, so I cannot promise that you will not be impaled.”

“This card party is turning out to be a more dangerous prospect than I imagined,” Fersen replied, pantomiming the wiping of sweat from his brow.

His action elicited a mischievous giggle from the Queen. She quickly brought her hand up to cover her mouth, which did little to disguise her amusement, especially when her big silvery eyes twinkled with delight. Fersen found himself drowning in those eyes and thought that he could stand there and play the fool forever just to hear the sound of her laughter.
Marie Antoinette lowered her lashes demurely and scanned the immediate area to see who had noticed their silliness. No one seemed to be paying any attention, so the Queen cleared her throat and went on.

“Nevertheless, the guard is quite loyal and follows his orders exactly. I shall specify that you are to be admitted without perforations. I’ll expect you three nights hence.” Fersen bowed his compliance, which brought a lovely closed-lip smile from the Queen. “I shall see you then. Good afternoon, Count Fersen. I have enjoyed your company and look forward to more.”

Fersen arrived on the indicated night, and the guard turned out to be as loyal and well instructed as the Queen had professed. The tall Swede was granted entry and proceeded to the card party intact and unskewered. He was led up the stairs to the first floor where a servant presented him to the hostess and the rest of her guests.

“Count Axel von Fersen,” announced the man then turned and left the room.

“A new arrival!” declared the Duchesse de Polignac. “Ooh, and he’s tall and handsome!”
Axel smiled in her direction, barely registering the words. As soon as he entered the room, the Queen’s ethereal presence enveloped him like a fine luminescent mist, casting a dreamy haze and lending the experience a surreal feel. She was swathed in a loose white dress of a gauzy material that fell in graceful feminine pleats, giving her the appearance of a Greek goddess. He moved forward in a trance, utterly dazzled by her loveliness.

“Good evening, my fair Queen,” he managed to get out, bowing low.

“Oh, please,” she waved dismissively, “here at le Petit Trianon we dispense with such formality. You are among friends here, Count Fersen. Feel free to address the rest of us by our given names. Well, at least me,” she laughed. “Some of us are slightly more pretentious … I mean particular than the rest. Like my good friend here,” she said, indicating Jules de Polignac, husband of the admiring Duchesse. “What is it that you wish to be called this evening, Monsieur?”

“I am neither pretentious nor particular, merely discerning,” answered Polignac, never taking his eyes from his cards. “Tonight I am Batu Khan, ruler of the Golden Horde.”

“Yes, I remember now,” Marie Antoinette said with a giggle. “Last week it was Sultan Ahmed, this week it’s Batu Khan. I can only assume he is planning a tour of world domination. At any rate, we do not stand on ceremony at our card parties. Please, call me Antoinette.”

“Then you must do the same,” he smiled. “Call me Axel.”

“Axel,” she said tentatively, feeling a thrill rise within her as she uttered his given name for the first time aloud. Her face glowed with excitement, and her silvery blue eyes glittered in anticipation. “Please sit down, Axel, and we’ll deal you in.”

He did as she bade him, relieved to note that no one had paid a whit of attention to his momentary stupor. They were all busy goading each other, trying to peek at the others’ hands, and generally having a raucous good time. He was dealt his cards and automatically began to organize them in his hand, relaxing a bit now that he was not so absorbed by the Queen’s airy presence. They played for about an hour until the others began to feel the effects of the wine and got restless, wandering off in pursuit of more wine and livelier diversion. The Queen, who had no real palate for drink, remained in her seat, smiling indulgently at her degenerate group of friends.

They had each fervently wished for the chance to be alone together, and that moment had finally come. They found themselves face to face with no outside person to distract them. They sat for a few moments in silence, desiring desperately to confess their affection for the other but neither wanting to be the first to begin. Regardless of the relaxed atmosphere pervading her personal retreat, the cursed court etiquette had raised its head again, filling a space between them like a physical entity. Finally, Axel grunted at the irony and offered a polite and meaningless platitude.

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This post copyright © Ginger Myrick, 2014.

You can find out more about Marie Antoinette's doomed reign in Life in the Georgian Court, now available to order worldwide!




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